Table of Contents

“L” Quotations

LABELS & LABELING

(see also DEFINITIONS and STEREOTYPING and UNDERSTANDING)

Coudert continued: “But human beings emit a great deal of surface noise, and sometimes efforts to understand are jammed by the sheer amount of information given off. If the basic assumption is made that all people are engaged in efforts at change, the angry and the guilty then become useful labels, for they enable identification of where the main thrust at change is is coming, whether it is directed at the self or at others.”

A moment earlier, Fox had written: “Labels not only free us from the obligation to think creatively; they numb our sensibilities, our power to feel. During the Vietnam War, the phrase body count entered our vocabulary. It is an ambiguous phrase, inorganic, even faintly sporty. It distanced us from the painful reality of corpses, of dead, mutilated people.”

Goodall introduced the thought by writing: “Words can enhance experience, but they can also take so much away. We see an insect and at once we abstract certain characteristics and classify it—a fly. And in that very cognitive exercise, part of the wonder is gone.”

Janeway introduced the thought a moment earlier by writing: “We expect definitions to tell us not only what is, but what to do about it; to show us how the world fits together and how its different parts connect and work.”

LABOR

(see also CAREER and EMPLOYMENT and OCCUPATION and PLAY and PROFESSION and REST and TOIL and UNEMPLOYMENT and VOCATION and WORK & PLAY)

QUOTE NOTE: The words come from the Prophet, who has been asked: “Speak to us of Work.” He preceded the observation by saying: “You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life’s procession that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music.”

QUOTE NOTE: This observation has also been translated this way: “The virtuous heart, like the body, grows sound and strong more by work than by good food.”

LACK

(see also ABSENCE and DEFICIT and EMPTY & EMPTINESS andFULLNESS and SCARCITY and SHORTAGE)

LACROSSE

(see also ATHLETES & ATHLETICISM and BASEBALL and BASKETBALL and BOXING and FISHING and FOOTBALL and GOLF and HOCKEY and MOUNTAINEERING & ROCK-CLIMBING and POOL & BILLIARDS and RUGBY and RUNNING & JOGGING and SAILING & YACHTING and SOCCER and SPORT and SPORTS—MISC. TYPES and SWIMMING & DIVING and TENNIS and TRACK & FIELD and WALKING and WRESTLING)

LADDER METAPHORS

(see also metaphors involving ANIMALS, BASEBALL, BATHING & BATHS, BIRTH, BOXING & PRIZEFIGHTING, CANCER, DANCING, DARKNESS, DEATH, DISEASE, FOOTBALL, FRUIT, GARDENING, HEART, JOURNEYS, LIGHT & LIGHTNESS, LOTTERY, MOTHERS, NAUTICAL, PARTS OF SPEECH, PATHS, PLANTS, PUNCTUATION, RETAIL/WHOLESALE, ROAD, SAILING & NAUTICAL, SUN & MOONS, VEGETABLES, and WEIGHTS & MEASURES)

Covey first used the leaning ladder metaphor in a slightly different way in his classic The 7 Habits of Highly Effective People (1989): “Management is efficiency in climbing the ladder of success; leadership determines whether the ladder is leaning against the right wall.”

Oates added: “It’s not the best way to build a ladder, but I don’t know any other way.”

LADIES

(see also MEN & WOMEN and WOMEN—DESCRIBED BY MEN and and WOMEN—DESCRIBED BY WOMEN and SEXISM)

LAKES & PONDS

(see also CONSERVATION and EARTH and ENVIRONMENT & ENVIRONMENTALISM and FOREST and MOUNTAINS and RIVERS and TREES)

LAMPOON

(see also CRITICISM and HUMOR and IRONY and JOKES and LAMPOON and LAUGHTER and PARODY & PARODISTS and RIDICULE and SARCASM and WIT & WITTICISMS)

LAND

(see also ACQUISITION and BUYING & SELLING and ESTATES and FARMS & FARMING and CAPITALISM and OWNERSHIP and POSSESSIONS and PROPERTY and [PRIVATE] PROPERTY and REAL ESTATE and STANDARD OF LIVING and WEALTH)

[Promised] LAND

(see HEAVEN)

LANGUAGE

(see also BODY LANGUAGE and COMMUNICATION and ENGLISH—THE LANGUAGE) and LANGUAGES—SPECIFIC TYPES and SLANG and SPEECH & SPEAKING and TALK & TALKING and WORDS)

Bohr continued: “We must strive continually to extend the scope of our description, but in such a way that our messages do not thereby lose their objective or unambiguous character.”

Confucius preceded the thought by writing: “If names be not correct, language is not in accordance with the truth of things.”

Emerson introduced the thought by writing: “The etymologist finds the deadest word to have been once a brilliant picture.” And he concluded it by writing: “As the limestone of the continent consists of infinite masses of the shells of animalcules, so language is made up of images, or tropes, which now, in their secondary use, have long ceased to remind us of their poetic origin.”

ERROR ALERT: This observation from a prominent English clergyman and academic is commonly misattributed to Cornelius Conway Felton, an American educator and former president of Harvard University. The mistaken attribution is widespread, even showing up in some respected quotation anthologies. The error can be traced to a practice common in nineteenth-century books of quotations, providing only the last name of authors quoted (e.g. Franklin, Disraeli, Johnson). To see how Felton expressed his observation in the writing style of the time, go to: Henry Felton.

QUOTE NOTE: The Miracle Worker began as a Playhouse 90 television play in 1957, with Theresa Wright playing Annie Sullivan and Patty McCormack playing Helen Keller. It was only after Gibson expanded the play for the Broadway stage in 1959 (with an unknown Anne Baxter in the role of Sullivan and Patty Duke as Keller), that it became a classic in American theatrical history.

Jameson continued: “If we looked into the matter we should probably find that all the varieties and modifications of conscious and unconscious lying—as exaggeration, equivocation, evasion, misrepresentation—might be traced to the early misuse of words.”

A few moments later, Jameson went on to write: “Not literature alone, but society itself is wormed and rotten when language ceases to be respected not merely by advertisers and politicians, but by persons of learning and authority.”

QUOTE NOTE: Thomas Carlyle was likely thinking of this observation by Dr. Johnson when he wrote in Sartor Resartus (1834): “Language is called the garment of thought: however, it should rather be, language is the flesh-garment, the body, of thought.”

Nearly a century later, in The Descent of Man (1871) Charles Darwin offered a related thought on languages that have fallen by the wayside: “A language, like a species, when once extinct, never…reappears. The same language never has two birth-places.”

King added: “The object of fiction isn’t grammatical correctness but to make the reader welcome and then tell a story…to make him/her forget, whenever possible, that he/she is reading a story at all.” (ellipsis in original)

Lederer continued: “A growing number of people have begun to wonder if our window on reality has a glass that distorts our view. If language reflects culture and in turn influences culture, could it be that the window through which we see life is marked by cracks, smudges, blind spot, and filters?”

Le Guin continued: “In that sense you can say that grammar is morality. And it is in that sense that I say a writer’s first duty is to use language well.”

QUOTE NOTE: The passage has also been translated this way: “Speech is civilization itself. The word, even the most contradictory word, preserves contact—it is silence which isolates.”

QUOTE NOTE: I’ve also seen the quotation translated this way: “To reason with poorly chosen words is like using a pair of scales with inaccurate weights.” Maurois began by writing that there are no disputes in algebra because all terms are precisely defined. In most human discourse, by contrast, language is imprecise. He wrote: “The words used in speaking about emotions, about the conduct of government, are vague words which may be employed in the same argument with several different meanings.”

Miller and Swift introduced the thought by writing: “We learn certain rules of grammar and usage in school, and when they are challenged it is as though we are also being challenged.”

Milton continued: “For what do terms used without skill or meaning, which are at once corrupt and misapplied, denote but a people listless, supine, and ripe for servitude?”

QUOTE NOTE: It was in the same essay—perhaps the most famous of all his essays—that Orwell also wrote: “Political language…is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”

Quine continued: “The anatomical details of twigs and branches will fulfill the elephantine shape differently from bush to bush, but the overall outward results are alike.”

QUOTE NOTE: This is the way the quotation is often presented, but it was originally the concluding portion of this slightly longer passage: “Ultimately, I use figures of speech to deepen the reader’s subliminal understanding of the person, place, or thing that’s being described. That, above everything else, validates their role as a highly effective literary device. If nothing else, they remind reader and writer alike that language is not the frosting, it’s the cake.”

Vidal continued: “You liberate a city by destroying it. Words are used to confuse, so that at election time people will solemnly vote against their own interests.”

White added: “A cow is under no obligation to stay in the narrow path she helped make, following the contour of the land, but she often profits by staying with it and she would be handicapped if she didn’t know where it was or where it led to.”

QUOTE NOTE: Winterson’s essay, timed to coincide with a T. S. Eliot Festival in London, spoke to the power of language—and especially of poetry—to help those coping with life’s problems. She went on to write: “A tough life needs a tough language—and that is what poetry is. That is what literature offers—a language powerful enough to say how it is.” The full article may be see at ”Shafts of Sunlight”.

QUOTE NOTE: Winterson used this beautiful and evocative phrase to capture what it was like for her, as a deeply troubled sixteen-year-old, to find her inner turmoil given a voice by T. S. Eliot’s verse drama Murder in the Cathedral (1935). She preceded her finding place observation above by writing: “Pain is very often a maimed creature without a mouth. Through the agency of the poem that is powerful enough to clarifying feelings into facts, I am no longer dumb, not speechless, not lost.”

(Body) LANGUAGE

(see BODY LANGUAGE

LAS VEGAS

(see also BOSTON and CHICAGO and HOLLYWOOD and LONDON and LOS ANGELES and MIAMI and NEW ORLEANS and NEW YORK CITY and PARIS and SAN FRANCISCO and WASHINGTON, DC)

(see also AMERICAN CITIES)

QUOTE NOTE: Nevada legalized gambling in 1931, in part to help boost the state’s economy during the early stages of the Great Depression. It would take fifteen years before the first casino was built, however, when gangster Bugsy Siegel opened The Flamingo in 1946 (the casino was named after the nickname his mistress, Virginia Hill).

Black continued: “And you wanna get out there before the Christian Right finds out what we’re up to and shits all over it.”

Cook continued: “And in the pleasure domes of Las Vegas people line up for hours to register into motels and indulge the pleasures that once were reserved at Badan Baden for Edward VII and King Farouk.”

QUOTE NOTE: This is the way the quotation is typically presented, a somewhat shortened version of this larger thought: “Vegas is the most extreme and allegorical of American settlements, bizarre and beautiful in its venality and in its devotion to immediate gratification, a place the tone of which is set by mobsters and call girls and ladies’ room attendants with amyl nitrite papers in their uniform pockets.”

A bit later, Wolfe went on to add: “For the grand debut of Monte Carlo as a resort in 1879 the architect Charles Garnier designed an opera house for the Place du Casino; and Sarah Bernhardt read a symbolic poem. For the debut of Las Vegas as a resort in 1946 Bugsy Siegel hired Abbot and Costello, and there, in a way, you have it all.”

LAUGHTER

(see also CHEER and COMEDY & COMEDIANS and HUMOR and [SENSE OF] HUMOR and JESTS and JOKES & JOKERS and JOY and LAUGHING AT OURSELVES and LEVITY and MERRIMENT and MIRTH and SATIRE & SATIRISTS and WIT)

Allen continued: “This is very strange if you stop to think of it: that otherwise sane and responsible citizens should devote their professional energies to causing others to make sharp, explosive barking-like exhalations.”

QUOTATION CAUTION: I originally came across this quotation (without any source information provided) in Robert Fitzhenry’s otherwise excellent anthology, The Barnes and Noble Book of Quotations (1986). The quotation has since become extremely popular, but I’ve never seen it with a source cited.

QUOTE NOTE: This was the first published appearance of this popular quotation. The notion that humor was an “instant vacation” had been offered several years earlier, but never phrased precisely in Berle’s way. In a 1968 issue of the Pennsylvania School Journal, writer Eugene P. Bertin wrote in his “Ravelin’s” column: “There is a purifying power in laughter. It is truth in palatable form. It is instant vacation. Seeing the comical side of many situations makes life a great deal easier. It’s like riding through life on sensitive springs that ease every jolt.” For more, see this 2014 post from Garson O'Toole, the Quote Investigator.

QUOTE NOTE: In his “Laffing” essay, originally written in his distinctive phonetic style, Billings introduced the topic by writing: “Anatomically considered, laughing is the sensation of feeling good all over, and showing it principally in one spot.” In yet another memorable metaphorical description in the essay, he wrote: “Genuine laughing is the vent of the soul, the nostrils of the heart, and just as necessary for health and happiness as spring water is for a trout.” To see all of these—and more—in their original style, go to the “Laffing” essay.

QUOTATION CAUTION: This observation has become extremely popular, appearing on almost all internet quotation sites and scores of published quotation anthologies. An original source has never been provided, however, and it possible it originated as an alteration of “A smile is the shortest distance between two people,” which Borge did in fact say, according to a 1977 New York Daily News article

A moment later, Brown went on to write: “Where’s the energetic wit, the looney outlook, the frivolity, the lightness of comforting laughter? It has become fashionable to know and unfashionable to feel, and you can’t really laugh if you can’t feel.”

QUOTE NOTE: This is the way the quotation is now typically presented, but the original thought (La plus perdue de toutes les journées est celle où l’on n’a pas ri) was traditionally translated as follows: “The most wasted of all days is that in which one has not laughed.” Many internet sites mistakenly attribute the quotation to Charles Chaplin and Groucho Marx. For more, see this 2011 post by Garson O’Toole, the Quote Investigator.

QUOTE NOTE: It’s possible that Channing was inspired by an earlier observation by Jessamyn West, to be seen below.

Chesterton introduced the observation by writing: “Therefore, in the modern conflict between the Smile and the Laugh, I am all in favor of laughing” (he was alluding to a conflict he mentioned earlier in the essay: “The recent stage of culture and criticism might very well be summed up as the men who smile criticizing the men who laugh”).

Cleese preceded the observation by saying: “I’m struck by how laughter connects you with people. It’s almost impossible to maintain any kind of distance or any sense of social hierarchy when you’re just howling with laughter.”

QUOTE NOTE: This form of the quotation is familiar to many people, especially dog lovers, but Eastman actually preceded the thought by writing: “Man has been defined as the laughing animal, but that is not strictly accurate.” He went on to conclude about dogs laughing with their tails: “And a tail is an awkward thing to laugh with as you can see by the way they bend themselves half double in extreme hilarity trying to get that rear-end exuberance forward into the main scene of action. What puts man on a higher state of evolution is that he has got his laugh on the right end.”

QUOTE NOTE: The Prophet was responding to a woman who said, “Speak to us of joy and sorrow.” He continued: “And how else can it be? The deeper that sorrow carves into your being, the more joy you can contain. Is not the cup that holds your wine the very cup that was burned in the potter’s oven?”

ERROR ALERT: Many quotation sites mistakenly attribute this quotation to René Descartes.

AUTHOR NOTE: Kroll joined Newsweek as an associate arts editor in 1963 and retired 37 years later as an award-winning drama critic and senior writer (he wrote more than 1,200 articles and was responsible for nineteen cover stories).

In the segment, Lear went on to add, “The sound track of my life has been laughter.”

Nathan added: “It will not ward off a bee-sting, but it has helped people to endure wars, pestilence, persecutions, and politicians.”

QUOTE NOTE: Here, Poole cleverly tweaks the popular saying, “He who laughs last, laughs best.”

Forty-five years later, in In Pursuit of Pleasure (1936), Repplier offered another thought on the subject: “Laughter springs from the lawless part of our nature.”

Earlier in the novel, the narrator observed: “There can never be enough said of the virtues, the dangers, the power of shared laughter. Love can no more do without it than can friendship, desire, or despair.”

Steinem continued: “You can certainly compel anger and sadness. You can probably compel love if someone is isolated enough and dependent enough, they come to believe they love the person they are dependent on. But you can’t compel laughter—it’s totally free.”

QUOTE NOTE: The observation comes from a young Satan, a direct descendant of the biblical Satan. Speaking to Theodor, the novel’s protagonist, Satan is arguing that the most effective weapon possessed by human beings is their sense of humor, but it is a weapon they rarely use effectively. Here’s the full passage:

“For your race, in its poverty, has unquestionably one really effective weapon—laughter. Power, money, persuasion, supplication, persecution—these can lift at a colossal humbug—push it a little—weaken it a little, century by century: but only laughter can blow it to rags and atoms at a blast. Against the assault of laughter nothing can stand. You are always fussing and fighting with your other weapons. Do you ever use that one? No; you leave it lying rusting. As a race, do you ever use it at all? No; you lack sense and the courage.”

The Mysterious Stranger was Twain’s final novel, begun in 1897, written in bits and pieces over the decades, and unfinished at his death in 1910. A 1916 edition put together by Albert Beigelow Paine was long believed to be an authentic version, but in the 1960s Twain scholars discovered problems with Paine’s manuscript, including some fraudulent passages written by Paine himself. For more on the controversy, see Mysterious Stranger.

ERROR ALERT: A quotation commonly attributed to Twain (“The human race has one really effective weapon, and that is laughter”) is clearly an abridged version of the passage in The Mysterious Stranger.

LAUGHING AT OURSELVES

(see also CHEER and COMEDY & COMEDIANS and HUMOR and [SENSE OF] HUMOR and JESTS and JOKES & JOKERS and JOY and LAUGHTER and MERRIMENT and MIRTH and SELF-ACCEPTANCE)

LAW & ORDER

(see also CRIME and GOVERNMENT and JAILS & PRISONS and JUDGES and JUSTICE and LAWYERS and LAWS and LAWSUITS and LAWYERS and LIBERTY and LITIGATION and PUNISHMENT and TRIALS)

LAWN

(see also GARDEN and GRASS and HOME and LANDSCAPING and NATURE and WEEDS)

LAW

(includes LEGISLATION; see also COURTS & COURTROOMS and CRIME and GOVERNMENT and JAILS & PRISONS and JUDGES and JUSTICE and LAW & ORDER and LAWSUITS and LAWYERS and LEGAL and LIBERTY and LITIGATION and PUNISHMENT and SUPREME COURT and TRIALS)

QUOTE NOTE: This ancient observation has clearly stood the test of time, appearing as true today as when it was originally offered. While the remark has been translated in a variety of slightly varying ways over the years, the central point has always been retained. The observation is sometime mistakenly attributed directly to Solon (see below), and variations on the idea have been repeated by others over the centuries, including several more to be seen below.

ERROR ALERT: This observation has been attributed to the legendary German chancellor since the 1930s, but there is no evidence he ever said anything like it. The Yale Book of Quotations includes the saying in its “Misquotations” section and says, “Attributed to Bismarck, but not traced and probably apocryphal.” For more on the history of the quotation, see this informative 2010 post by Garson O’Toole, the Quote Investigator.

Grant preceded the thought by saying: “Laws are to govern all alike—those opposed as well as those who favor them.”

Jacoby continued: “Likewise every legislatively created agency and program. Members of Congress and state legislatures should be required to revisit their handiwork on a regular basis, reviewing it for relevance, efficacy, and soundness, and allowing measures that have outlived their usefulness to lapse.”

QUOTATION CAUTION: According to Dickson, Kilpatrick referred to this observation as “Mencken’s Working Hypothesis of the Legislative Process.” As it turns out, though, Kilpatrick was taking substantial liberties with Mencken’s actual words, which appeared in the following way in his autobiography Newspaper Days (1940): “Whenever A annoys B on the pretense of saving or improving X, A is a scoundrel.” Mencken’s thought—which he dubbed “Mencken’s Law”—was not completely original, though, for he had borrowed heavily from William Graham Sumner, who wrote in an 1894 article in The Forum: “When A and B join to make a law to help X, their law always proposes to decide what C shall do for X, and C is the Forgotten Man.” Sumner’s formulation went on to be called The Law of the Forgotten Man.

QUOTE NOTE: The underlying sentiment is not original to Selden; he was simply passing along a legal principle that had been around since 1530, when, in Dialogues in English, Christopher St. German had written, “Ignorance of the law…doth not excuse.” St. German’s maxim formed the basis for the English proverb “Ignorance of the law excuses nobody” (and that proverbial saying ultimately evolved into the modern proverb: “Ignorance of the law is no excuse”).

LAWSUITS & LITIGATION

(see also CRIME and JUDGES and JUSTICE and LAW and LAWYERS and LITIGATION and TRIALS)

LAWYERS

(includes ATTORNEYS; see also CRIME and JUDGES and LAWS and LAWSUITS and LEGAL and LITIGATION and TRIALS)

QUOTE NOTE: This saying, which has become a catchphrase in the legal profession and proverbial in general culture, first appeared in the early 1800s, according to Bryan A. Garner in A Dictionary of Modern Legal Usage (2nd ed.; 1995)

ERROR ALERT: Almost all internet sites and quotation anthologies mistakenly present the quotations as if it were worded, “with great sacrifice.”

Carter continued: “No resources of talent and training in our own society, even including the medical care, is more wastefully or unfairly distributed than legal skills. Ninety percent of our lawyers serve ten percent of our people. We are over-lawyered and under-represented.”

QUOTE NOTE: In a March 3, 1971 edition of the Los Angeles Times, California Attorney General Evelle J. Younger offered a thought that may have been inspired by Capote’s observation: “An incompetent attorney can delay a trial for years or months. A competent attorney can delay one even longer.”

ERROR ALERT: This observation is often mistakenly presented as: “A lawyer is a chimney-sweeper who has no objection to dirty work, because it is his trade.”

QUOTE NOTE: Grahame’s observation went on to become a legal tenet that was famously described by Harper Lee in her 1960 novel To Kill a Mockingbird (see the Lee entry below)

QUOTATION CAUTION: This looks like the first appearance of Justice Holme’s popular “shoveling smoke” observation (which has never been found in his works). Most internet sites now present a modified version of the thought: “Lawyers spend a great deal of their time shoveling smoke.”

Johnson continued: “The justice or injustice of the cause is to be decided by the judge.”

QUOTE NOTE: The legal tenet being described here was originally advanced by American attorney David Grahame (1808-52), seen above.

QUOTE NOTE: Reavis, a young man who aspired to become a lawyer, had asked if he might “read Law” [a term similar to apprenticing] with Lincoln. Lincoln sensitively declined the request, saying “I did not read with anyone,” and urging him to forge ahead on his own, if it came to that. In the letter, Lincoln also offered one of his most famous observations: “Always bear in mind that your own resolution to succeed is more important than any other one thing.”

QUOTE NOTE: In A Mencken Chrestomathy (1949), Mencken slightly tweaked the saying by writing“ “Lawyer—One who protects us against robbers by taking away the temptation.”

QUOTE NOTE: This looks like the first appearance of the sincerity version of a saying that usually employed the word honesty, and the first to apply it to lawyers (previous iterations had all applied it to actors). For more, see this informative 2011 Quote investigator post from Garson O’Toole.

QUOTE NOTE: at another point in the book, Tom Hagen, the lawyer—or consigliere—for the Corleone family is reflecting on his decision to attend law school after college. The narrator says of him: “He had heard Don Corleone say once, ‘A lawyer with his briefcase can steal more than a hundred men with guns.’” Even though it’s a wonderful line, neither version showed up in the film adaptation of the novel.

Seinfeld continued: “We’re all throwing the dice, playing the game, moving our pieces around the board, but if there’s a problem, the lawyer is the only person that has actually read the inside of the top of the box.”

QUOTE NOTE: This quotation, although widely viewed as an anti-lawyer quote, is actually a testimony to the importance of lawyers in society. Dick the Butcher, a rebel and sidekick to the would-be autocrat Cade, knows that lawyers and the law stand in the way of the Cade Rebellion.

LAZINESS

(see also IDLENESS and INDOLENCE and INDUSTRY (as in INDUSTRIOUS) and PROCRASTINATION and SLOTH and VICE)

LEADERS & LEADERSHIP

(see also AUTHORITY and COMMAND & COMMANDING and EXECUTIVES and GOVERNING and GOVERNMENT and INFLUENCE and LEADERS & RULERS—ON THEMSELVES and LEADERS & RULERS—DESCRIBED BY OTHERS and MANAGEMENT and ORDERS and POLITICIANS and POLITICS and RULERS & RULING)

Bardwick went on to write: “Increasing credibility requires openness. Hidden agendas will destroy trust.”

Bradley preceded the thought by saying: “The test of a leader lies in the reaction and response of his followers. He should not have to impose authority. Bossiness in itself never made a leader. He must make his influence felt by example and the instilling of confidence in his followers.”

Buchan added: “I offer you that reflection as my last word on the subject this afternoon. I believe that it is profoundly true. It is a truth which is the basis of all religion. It is a truth which is the only justification for democracy. It is a truth which is at the foundation and the hope of our mortal lives.”

In her book, Bushell also offered these thoughts on leadership:

“Above everything else leadership is confidence in our inner resources.”

“The highest type of leadership is serving other people in such a way that they lead themselves, that they develop spiritually.”

“An authentic leader helps others increase their own independence, and…does not actually give direction or assert authority.”

“Leadership is the initiative to conquer our limitations and to more ably extend our abilities over a greater area.”

“The power of leadership is derived from perfecting ourselves. The closer we lead ourselves into becoming an ideal person, the greater our power to lead others. The foundation of leadership power is in striving toward perfection.”

In her book, Caroselli also wrote:

“True leaders enjoy using their power and are comfortable with it—so comfortable, in fact, that they don’t mind sharing that control when it is appropriate to do so.”

“Leaders seem to have a high tolerance for ambiguity. Recognizing that the brain does not work in a completely linear fashion, leaders demonstrate a comfort with the chaos of exploding ideas, many of them seemingly unrelated to the stimulus that caused them.”

QUOTE NOTE: This is the way the quotation is almost always presented these days, but it is a slightly abridged version of Eisenhower’s original words, which were first quoted in The Ordeal of Power: A Political Memoir of the Eisenhower Years (1963) by Emmet John Hughes: “Now, look, I happen to know a little about leadership. I’ve had to work with a lot of nations, for that matter at odds with each other. And I tell you this: you do not lead by hitting people over the head. Any damn fool can do that, but it’s usually called ‘assault’—not ‘leadership.’” Eisenhower went on to add: “I’ll tell you what leadership is. It’s persuasion—and conciliation—and patience. It’s long, slow, tough work. That’s the only kind of leadership I know or believe in—or will practice.”

QUOTE NOTE: This appears to be the original source—and the complete original phrasing—of a quotation that has become very popular. John Maxwell and Steven Covey have used slightly different versions of it in a number of their books, and James Comey included a portion of the observation in his 2018 book A Higher Loyalty: Truth, Lies, and Leadership. Poe, a southern journalist, served as editor of The Progressive Farmer for 65 years. He died a year after My First Eighty Years was published.

Elfrey went on to write: “The mark of a leader may be the ability to prevent fire fighting behavior and to seek elegant solutions.”

In some other salient observations on the subject, Follett wrote:

“We should think not only of what the leader does to the group, but also of what the group does to the leader.”

“The best leader does not ask people to serve him, but the common end. The best leader has not followers, but men and women working with him.”

“Part of the task of the leader is to make others participate in his leadership. The best leader knows how to make his followers actually feel power themselves, not merely acknowledge his power.”

“We no longer think that the best leader is the greatest hustler or the most persuasive orator or even the best trader. The great leader is he who is able to integrate the experience of all and use it for a common purpose.”

Fox continued: “I think women tend to play hardball less often. This is the trend of office politics anyway: the days of warring factions are over. We’re talking now in terms of cooperation, and I think that is the game women play best.”

QUOTE NOTE: When the observation first appeared in the magazine, the author’s name was misspelled as Glasgow)

Jones introduced the observation by writing: “Belief in oneself is a crucial quality of leadership, because ‘a house divided against itself cannot stand.’” In her book, Jones also offered these other observations on the subject:

“Perhaps the true mark of a leader is that she or he is willing to stand alone.”

“Leaders identify, articulate, and summarize concepts that motivate others. Most important, they boil concepts down to an understandable idea.”

ERROR ALERT: Most internet sites delete the “he said” portion of the observation, and mistakenly attribute the thought directly to Mandela.

QUOTE NOTE: This observation came in a discussion of Gen. George Patton, who clearly understood this concept, according to Mauldin. “The stupid bastard was crazy,” Mauldin wrote about the legendary WWII military leader, “But I certainly respected his theories and the techniques he used to get his men out of their foxholes.”

Miller’s list of “Great Awakeners” included Lao-Tzu, Buddha, Socrates, and Jesus.

Millman continued: “You transform a job into a service-oriented mission, incorporating meaningful, big-picture goals into the work at hand. You present tasks not as an end in themselves but as a means of personal growth, lifting the game to another level.”

QUOTE NOTE: This has become one of the most popular observations ever made on the nature of leadership, appearing in almost every current anthology on the subject. According to Bertaut, Napoleon preceded the observation by saying: “One can lead a nation only by helping it see a bright outlook.”

In that same meeting, General Schwarzkopf told his audience that they could forget everything else about leadership if they simply remembered two Army rules: “When placed in command—take charge” and “Do what’s right, not what you think the high headquarters wants or what you think will make you look good.”

Senge continued: “They naturally influence others through their credibility, capability, and commitment. And they come in many shapes, sizes, and positions.”

QUOTE NOTE: Shawcross was the lead British prosecutor at the Nuremberg trials.

In her book, Whicker also offered these thoughts:

“Typically, our love for our leaders is one-sided: their successes become our own, while their failures are theirs alone.”

“Leadership is elusive and enigmatic, just as it is enlightening and empowering. It is a bright light among human energies that sometimes, by its very intensity, casts a long and dark shadow.”

“Good leadership is pervasive, persuasive, and persistent. Bad leadership is poisoned with pedanticism, posturing, self-importance.”

LEADERS & RULERS—ON THEMSELVES

(see also AUTHORITY and COMMAND & COMMANDING and EXECUTIVES and GOVERNING and GOVERNMENT and INFLUENCE and LEADERS & LEADERSHIP and LEADERS & RULERS—DESCRIBED BY OTHERS and MANAGEMENT and ORDERS and POLITICIANS and POLITICS and RULERS & RULING)

QUOTE NOTE: Churchill gave the speech at a special ceremony in celebration of his eightieth birthday. Just earlier, Labor Party leader Clement Attlee paid tribute to Churchill’s role in WWII by saying: “You offered us only blood and sweat and tears and we gladly took your offer.” When Churchill took the stage, he thanked Mr. Attlee but humbly suggested that he was merely expressing the resolve of freedom-loving people everywhere. He then preceded his famous give the roar quotation above with these words about the English people: “Their will was resolute and remorseless and, as it proved, unconquerable. It fell to me to express it, and if I found the right words you must remember that I have always earned my living by my pen and by my tongue.”

LEADERS & RULERS—DESCRIBED BY OTHERS

(see also AUTHORITY and COMMAND & COMMANDING and EXECUTIVES and GOVERNING and GOVERNMENT and INFLUENCE and LEADERS & LEADERSHIP and LEADERS & RULERS—ON THEMSELVES and MANAGEMENT and ORDERS and POLITICIANS and POLITICS and RULERS & RULING)

LEARNING

(see also CURIOSITY and DISCOVERY and EDUCATION & EDUCATORS and [Learning From] EXPERIENCE and IGNORANCE and INSTRUCTION & INSTRUCTORS and KNOWLEDGE and [Lifelong] LEARNING and SCHOLARS & SCHOLARSHIP and SCHOOLS & SCHOOLCHILDREN and KNOWLEDGE and STUDENTS and STUDY & STUDIES and TEACHERS & TEACHING and UNDERSTANDING)

The passage has also been commonly translated this way: “Old men are always young enough to learn with profit.”

ERROR ALERT: For the past half-century, this observation (in a variety of similar phrasings) has been attributed to Benjamin Franklin, but there is no evidence he every said anything like it. It’s a perfect example of an “orphan quotation,” authored by some anonymous figure and then attributed to Franklin to lend it credibility. The original author has never been determined, and will likely never be.

Leonardo added: “And if you understand that old age has wisdom for its food, you will conduct yourself in youth that your old age will not lack for nourishment.”

ERROR ALERT: In most current quotation collections, a slightly different version of this observation (“Seeing much, suffering much, and studying much, are the three pillars of learning”) is mistakenly attributed to Benjamin Disraeli, the son of Isaac D’Israeli. To make things perhaps more interesting, the observation does not even appear to be original with the father. The observation originally appeared in a discussion of triads (what we would now call tricolons), where D’Israeli selected some examples of the device from 3rd to 12th-century English literature.

To drive home his point, Emerson went on to add: “We learn geology the morning after the earthquake.”

QUOTE NOTE: The remark comes in a conversation between Martha and her friend Joanna. A few moments earlier, Martha had said: “We keep learning things and then forgetting them so we have to learn them again.”

Lopez added: “Change your way of thinking, change your way of doing, change your way of choosing.”

ERROR ALERT: Many internet sites attribute a very similar saying (“He who has learning without imagination has feet but no wings”), to a gentleman named Stanley Goldstein. I’ve been unable to locate any biographical information on Goldstein, but his observation—which first appeared in a 1993 issue of Forbes magazine—was simply a rephrasing of Münsterberg’s original thought.

Peck continued: “If this path is followed long and earnestly enough, the pieces of knowledge begin to fall into place. Gradually things begin to make sense.”

QUOTE NOTE: This is one of history’s most famous lines, as well as one of its most misunderstood. Pope was not suggesting that learning per se was dangerous, only that inadequate learning was. Think about it this way. People who have shallow or superficial knowledge often make the mistake of believing they know more than they do. When confronted with problems whose solutions demand deep and extensive knowledge, these folks with little learning but big ambitions can become dangerous to themselves and others.

Often misquoted as A little knowledge is a dangerous thing, the line appears in a poem—not an essay—originally written in 1709, but first published in 1711 (the poem also gave us “To err is human, to forgive divine” and “Fools rush in where angels fear to tread”). Pope’s little learning line has been tweaked and parodied countless times over the centuries, as when T. H. Huxley wrote in Science and Culture (1881): “If a little knowledge is dangerous, where is the man who has so much as to be out of danger?” For more on the poem, go to An Essay on Criticism.

Rowan introduced the thought by writing: “The library is the temple of learning.”

ERROR ALERT: Almost all internet sites mistakenly present the quotation as if it were phrased has something.

Senge continued: “Through learning we become able to do something we never were able to do. Through learning we reperceive the world and our relationship to it. Through learning we extend our capacity to create, to be part of the generative process of life. There is within each of us a deep hunger for this type of learning.” Senge went on to describe the essence of a learning organization this way: “An organization that is continually expanding its capacity to create its future.”

QUOTE NOTE: The strike it reference is to the bell of tower clock that strikes to mark the hour. Lord Chesterfield added: “If you are asked what o’clock it is, tell it; but do not proclaim it hourly and unasked, like the watchman.”

Steinem continued: “We are filled with the popular wisdom of several centuries just past, and we are terrified to give it up. Patriotism means obedience, age means wisdom, woman means submission, black means inferior: these are preconceptions imbedded so deeply in our thinking that we honestly may not know that they are there.”

Szasz continued: “That is why young children, before they are aware of their own self-importance, learn so easily; and why older persons, especially if vain or important, cannot learn at all.”

QUOTE NOTE: Here, Trollope was almost certainly inspired by Euclid’s famous reply (“There is no royal road to geometry”) to an Egyptian emperor who had asked if there was a short cut to learning geometry.

A moment after making his no royal road to learning observation, the narrator went on to add: “Let biographers, novelists, and the rest of us groan as we may under the burdens which we so often feel too heavy for our shoulders; we must either bear them up like men, or own ourselves too weak for the work we have undertaken. There is no way of writing well and also of writing easily.”

[Lifelong] LEARNING

(see also CURIOSITY and DISCOVERY and EDUCATION & EDUCATORS and [Learning From] EXPERIENCE and IGNORANCE and INSTRUCTION & INSTRUCTORS and KNOWLEDGE and LEARNING and SCHOLARS & SCHOLARSHIP and SCHOOLS & SCHOOLCHILDREN and KNOWLEDGE and STUDENTS and STUDY & STUDIES and TEACHERS & TEACHING and UNDERSTANDING)

Adler continued: “Unless it declines because of serious mental illness, the mind is not like a muscle, bone, or bodily organ that begins to decline when youth ends, but it is a vital instrument that, if properly exercised, continues to improve.”

QUOTE NOTE: In the Second Look book, which was his second autobiography, Adler wrote: “Fifteen years ago, when I was only seventy-five years old, I wrote my autobiography prematurely.” So much had happened in the intervening years that Adler concluded: “I am, therefore, impelled to take a second look in the rearview mirror and hope that those who found the earlier volume engaging will be similarly entertained by this one.”

The passage has also been commonly translated this way: “Old men are always young enough to learn with profit.”

Da Vinci added: “And if you understand that old age has wisdom for its food, you will conduct yourself in youth that your old age will not lack for nourishment.”

Moyers added: “I’m afraid that by the time I begin to feel really at home, it’ll be over.”

Peck continued: “If this path is followed long and earnestly enough, the pieces of knowledge begin to fall into place. Gradually things begin to make sense.”

ERROR ALERT: Almost all internet sites mistakenly present the quotation as if it were phrased has something.

LECTURE

(includes LECTURERS and LECTURING; see also AUDIENCE and SERMONS and SPEAKERS and SPEECHES and TALKS)

LEGACY

(see also ANCESTORS & ANCESTRY and GIFT and HERITAGE and INHERITANCE and TRADITION)

Bisher preceded the thought by saying: “You become what you think about, what you talk about, and what you act upon. Print off everything that you say to others and all posts on all of your social media accounts.”

A bit later, still talking about his grandfather, Montag said: “It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away.”

QUOTE NOTE: Leader of the Band may be the most moving tribute a musician has ever paid to his or her father. In clicking the link above, you will not only hear the song, but the entire set of lyrics as well.

QUOTE NOTE: Veninga wisely pointed out that when we wake up in the coronary care unit, we don’t think about the job concerns that preoccupied us yesterday. Or when a child is lying in a hospital bed, we don’t think about last night’s missed curfew. He preceded the thought by writing: “A crisis event explodes the illusions that anchor our lives.”

(see also JUDGES and LAW and LAWSUITS and LAWYERS)

Marian Wright Edelman, in speech at “Call to Renewal” Conference (Chicago; Sep. 14, 1996)

QUOTE NOTE: Edelman was speaking about a Welfare Reform Bill that had recently passed Congress, and had just been signed into law by President Clinton (she described his signing as “a moral blot” on his presidency). She added after the foregoing observation: “Everything Hitler did in Nazi Germany was legal, but it was not right.”

LEGISLATION

(see LAW)

LESBIANS & LESBIANISM

(see also FEMINISM and GAY and HOMOSEXUALS & HOMOSEXUALITY and QUEER and SEXUAL ORIENTATION)

In her essay, Clarke also wrote: “Historically, this culture has come to identify lesbians as women who over time, engage in a range and variety of sexual-emotional relationships with women. I, for one, identify a woman as a lesbian who says she is.”

Lorde preceded the thought by saying: “There will always be someone begging you to isolate one piece of yourself, one segment of your identity above the others, and say ‘Here, this is who I am.’ Resist that trivialization.”

LESS

(includes FEWER; see also MORE and NUMBER and QUANTITY)

QUOTE NOTE: This is one history’s most famous examples of oxymoronica. Nothing could be further from the literal truth, but when people use the expression, they are using self-contradictory phrasing to describe an important principle—keeping things simple and avoiding unnecessary detail almost always improves things. In the twentieth century, the legendary architect Ludwig Mies van der Rohe adopted it as a maxim and, as a result, the saying is frequently attributed to him.

LETTERS & LETTER-WRITING

(see also COMMUNICATION and CORRESPONDENCE and E-MAIL and MAIL and POSTAL SERVICE)

In that same piece, Alexander wrote: “A handwritten, personal letter has become a genuine modern-day luxury, like a child’s pony ride.”

ERROR ALERT: Nothing like this sentiment has ever been found in Goethe’s writings, so any attribution of the saying to him should be considered suspect. On many internet sites, however, and in one of Jack Canfield’s popular Chicken Soup for the Soul books, Goethe is quoted as saying:  “Letters are among the most significant memorial a person can leave behind them.” It should be noted that this rendition of the thought is so grammatically mangled that Goethe would have been embarrassed to see it offered in his name.

QUOTE NOTE: Carroll was one of literary history’s most prolific letter writers, once claiming that he wrote “wheelbarrows full, almost.” Another time, he said, “One-third of my life seems to go in receiving letters, and the other two-thirds in answering them.” He confided to one friend that he wrote approximately two thousand every year, and was still constantly behind in his correspondence.

In her book, Eichler also wrote: “The purpose of a business letter is to inspire action, either at once or at some future date.”

James continued: “Long before women were writing novels they were expressing their emotions, aspirations, hopes and fears in epistolary form, and those letters from past centuries which have survived can give us a more vivid and realistic portrait of the age in which they were written than many more portentous literary forms.”

QUOTE NOTE: Here, Pascal offers what appears to be the earliest observation on the oxymoronic theme that might be expressed this way: “It takes a long time to write short things.” Two centuries later, in a Nov. 16, 1857 letter to Harrison Blake, Henry David Thoreau, expressed the same dilemma: “Not that the story need be long, but it will take a long while to make it short.” See the Woodrow Wilson entry in SPEECHES & SPEECHMAKING for a similar thought.

LEVERS & LEVERAGE

(see also ADVANTAGE and CLOUT and CROWBAR and INFLUENCE and MECHANICS)

Harris went on to add: “Your beliefs define your vision of the world; they dictate your behavior; they determine your emotional responses to other human beings.” And a little later in the book, he wrote: “Every belief is a fount of action in potentia.”

LEVITY

(see also CHEER and COMEDY & COMEDIANS and HUMOR and [SENSE OF] HUMOR and JESTS and JOKES & JOKERS and JOY and LAUGHTER and MERRIMENT and MIRTH and SATIRE & SATIRISTS and WIT)

QUOTE NOTE: In the pamphlet, Shaw answered nine questions that had been submitted to him by journalist Clarence Rook).

LEXICOGRAPHY & LEXICOGRAPHERS

(see also DICTIONARY & DICTIONARIES and DEFINITIONS and DIALECT and ENGLISH—THE LANGUAGE and ETYMOLOGY and LANGUAGE and MEANING and PRONUNCIATION and WORDS)

Stamper, a lexicographer at Merriam-Webster, continued: “English is a beautiful, bewildering language, and the deeper you dive into it, the more effort it takes to come up to the surface for air.”

LIBERAL ARTS

(see also EDUCATION)

LIBERALS & LIBERALISM

(see also CONSERVATIVES & CONSERVATISM and DEMOCRATS and GOVERNMENT and IDEOLOGY and MODERATION and MODERATES and POLITICS and REPUBLICANS)

QUOTE NOTE: Ivins was writing in celebration of Bill Clinton’s victory over George H. W. Bush in the recent presidential election. Delighted to see a Democrat in the White House after twelve years of Republican control, she went on to add: “Most liberals, ever sensitive and compassionate to the point of making you want to throw up, are horribly good sports when they win. Personally, I believe in gloating. It’s not enough for me that the Republicans lost; I’d just as soon they all had flat tires on the way home from the polls.”

Roosevelt went on to add: “We must cherish and honor the word free or it will cease to apply to us.”

QUOTE NOTE: Almost all reference sources identify Wolfe as the author of this popular definition of a liberal, but he may have simply helped to popularize an anonymously authored quip that had recently emerged in popular culture. The saying—which quickly achieved a kind of proverbial status—also quickly spawned a counter-proverb: “A conservative is a liberal who’s been mugged.”

LIBERTY

(see also CAPTIVITY and DEMOCRACY and FREEDOM and [Religious] LIBERTY and OPPRESSION and RIGHTS and SERVITUDE and SLAVERY)

QUOTE NOTE: See the similar observation from William Allan White below.

Brandeis introduced the thought by writing: “Experience should teach us to be most on guard to protect liberty when the Government’s purposes are beneficent. Men born to freedom are naturally alert to repel invasion of their liberty by evil-minded rulers.”

ERROR ALERT: I’ve also seen this observation misattributed to Abraham Cowley and Emma Goldman.

QUOTE NOTE: This speech from the newly elected Lord Mayor of Dublin is the origin of “Eternal vigilance is the price of liberty,” a proverbial saying that first emerged in the early 1800s and was already well known when President Andrew Jackson said in his March 4, 1837 farewell address: “you must remember, my fellow-citizens, that eternal vigilance by the people is the price of liberty, and that you must pay the price if you wish to secure the blessing.”

Lord Acton continued: “In every age its progress has been beset by its natural enemies, by ignorance and superstition, by lust of conquest and by love of ease, by the strong man’s craving for power, and the poor man’s craving for food.”

QUOTE NOTE: A slightly altered form of this observation is inscribed on a plaque in the stairwell of the pedestal of the Statue of Liberty: “They that can give up essential liberty to obtain a little safety deserve neither liberty nor safety.”

QUOTE NOTE: In formulating this thought, Goldwater was almost certainly inspired by an observation from Thomas Paine in his 1792 classic The Rights of Man (see Paine entry in MODERATION). Goldwater’s line, delivered so confidently at the convention, went on to doom his chances at winning the U. S. presidential election. For more, see this informative post by Bob Deis at This Day In Quotes.

Ivins introduced the thought by writing: “The impulse to make ourselves safer by making ourselves less free is an old one.”

QUOTE NOTE: The boisterous sea of liberty was a favorite Jefferson metaphor, offered in a number of his letters and papers. For example, in an April 24, 1796 letter to Philip Mazzei, Jefferson expressed concern about an increasing support for a return to British colonial rule. After writing that “An Anglican monarchical & aristocratical party has sprung up,” he went on to say:

“Against us are the Executive, the Judiciary, two out of three branches of the legislature, all of the officers of the government, all who want to be officers, all timid men who prefer the calm of despotism to the boisterous sea of liberty.”

For more, see Barry Popik’s research into the saying at The Big Apple.

In a speech that is widely known as his “Central Park Address,” Judge Hand said he could not define liberty, but “can only tell you of my own faith.” He continued: “The spirit of liberty is the spirit which seeks to understand the mind of other men and women; the spirit of liberty is the spirit which weighs their interests alongside its own without bias; the spirit of liberty remembers that not even a sparrow falls to earth unheeded; the spirit of liberty is the spirit of Him, who, near two thousand years ago, taught mankind that lesson it has never learned but but never quite forgotten; that there may be a kingdom where the least shall be heard and considered side by side with the greatest.”

ERROR ALERT: Numerous internet sites and many published books present the following erroneous phrasing of this observation: “Freedom is the right to tell people what they do not want to hear.”

Porter preceded the thought by writing: “Freedom is a dangerous intoxicant and very few people can tolerate it in any quantity; it brings out the old raiding, oppressing, murderous instincts; the rage for revenge, for power, the lust for bloodshed. The longing for freedom takes the form of crushing the enemy…into the earth.”

A half-century earlier, in his Maxims of State (1700), Lord Halifax offered this additional thought about power and liberty: “Power and Liberty are like Heat and Moisture: where they are well mixed, everything prospers; where they are single, they are destructive.”

In that same article, Thompson also wrote: “When liberty is taken away by force it can be restored by force. When it is relinquished voluntarily by default it can never be recovered.”

Ward went on to list the following ancient enemies: “The servitude of poverty when means are so small that there is literally no choice at all; the servitude of ignorance when there are no perspectives to which the mind can open because there is no education on which the mind can begin to work; the servitude of ill-health which means that the expectation of life is almost too short to allow for any experience of freedom, and the years that are lived are dragged out without the health and strength which are themselves a liberation.”

QUOTE NOTE: See the similar observation by Ruth Benedict above.

[Religious] LIBERTY

(see also CAPTIVITY and DEMOCRACY and FREEDOM and LIBERTY and OPPRESSION and RIGHTS and SERVITUDE and SLAVERY)

[Statue of] LIBERTY

(see also BEACON and DEMOCRACY and FREEDOM and IMMIGRATION and MIGRATION & MIGRANTS and STATUE and SYMBOL)

QUOTE NOTE: This passage is inscribed on a plaque in the pedestal of the Statue of Liberty in New York Harbor. The plaque also contains these more famous words: “Give me your tired, your poor,/Your huddled masses yearning to breathe free,/The wretched refuse of your teeming shore./Send these, the homeless, tempest-tost to me,/I lift my lamp beside the golden door!”

LIBRARIES & LIBRARIANS

(see also AUTHOR and BOOKS and BOOKSTORE and FICTION and LITERATURE and NOVELS & NOVELISTS and READING and WRITERS and WRITING)

QUOTE NOTE: Asimov was responding to a note from Marguerite Hart, the first children’s librarian at the new Troy Public Library (Troy, NY). Hart had asked a large number of public figures to write to the children of Troy describing the significance of libraries and the importance of reading. Asimov was one of ninety-seven who responded; his letter (along with notes from Dr. Seuss and E. B. White) may be seen at: Asimov Letter.

Asimov preceded the observation by writing: “I received the fundamentals of my education in school, but that was not enough. My real education, the superstructure, the details, the true architecture, I got out of the public library. For an impoverished child whose family could not afford to buy books, the library was the open door to wonder and achievement, and I can never be sufficiently grateful that I had the wit to charge through that door and make the most of it.”

ERROR ALERT: Many web sites and books mistakenly have necessities in place of necessaries.

Beecher preceded the thought by writing: “A little library, growing larger every year, is an honorable part of a young man’s history. It is a man’s duty to have books.”

The book is a collection of seven lectures Borges delivered in Buenos Aires in 1977. This lovely paradise image was offered as he reflected on his literary success and recalled the many childhood trips he made to the library with his father. He showed his deep affection for libraries and librarians by writing: “In my life I have received many unmerited honors, but there is one which has made me happier than all the others: the director of the National Library [of Mexico].” He borrowed the Paradise metaphor from a line in his earlier “Poem of the Gifts” (1959).

Bowen overcame a lack of formal training in history or biography to become one of America’s most respected biographers. Paying tribute to librarians for the assistance they provided, she wrote: “In early days, I tried not to give librarians any trouble, which was where I made my primary mistake. Librarians like to be given trouble; they exist for it, they are geared to it.”

Bradbury, approaching ninety when the article appeared, was still making appearances around the country in support of libraries endangered by budget cuts. He said: “When I graduated from high school, it was during the depression and we had no money. I couldn’t go to college, so I went to the library three days a week for 10 years.” In a 1986 interview with William J. Grabowski, reported in Fantasy Review, Bradbury expressed the thought this way: “I am indeed a child of the libraries.”

Burns continued: “It is, rather, a command center, a power base. A board room, a war room. An Oval Office for all who preside over their own destinies. One does not retreat from the world here; one prepares to join it at an advantage.”

Conroy continued: “The library staff knew me on a first-name basis; I felt as comfortable entering the Citadel library as a shell entering its shell.”

Cousins prefaced the observation by writing: “The library is not a shrine for the worship of books. It is not a temple where literary incense must be burned or where one’s devotion to the bound book is expressed in ritual.”

QUOTE NOTE: The phrase connecting people to ideas captures the essence of what librarians do and, in my opinion, ranks right up there with some of Madison Avenue’s best advertising slogans. Here’s the fuller passage from DeCandido’s keynote address: “If librarianship is the connecting of people to ideas—and I believe that is the truest definition of what we do—it is crucial to remember that we must keep and make available, not just good ideas and noble ideas, but bad ideas, silly ideas, and yes, even dangerous and wicked ideas.”

The words come from the Cardinal, describing the library in which his mother, many years earlier, had taken refuge. He continued: “But from time to time during three centuries, volumes of more frivolous thoughts, of longing and levity and words that rhymed, had happened to leap in amongst them.”

QUOTE NOTE: See the Doyle entry in the BRAIN section for another Sherlocution on the same theme.

The abbot continued: “So the librarian protects them not only against mankind but also against nature, and devotes his life to this war with the forces of oblivion, the enemy of truth.”

QUOTE NOTE: Fry may be seen delivering the remark at five minutes, forty-five seconds into his appearance on Room 101.

Greer continued: “The pleasure they give is steady, unorgastic, reliable, deep and long-lasting. In any library in the world, I am at home, unselfconscious, still and absorbed.”

QUOTATION CAUTION: After first hearing the Greer observation on the NPR broadcast, I discovered that it shows up on hundreds of websites. I’ve been unable to find an original source, though, so it is wise to proceed with caution until it is authenticated. To listen to Mondello’s wonderful exposition of how public libraries have been portrayed in popular culture go to: Libraries’ Leading Roles.

QUOTE NOTE: The words come from the novel’s protagonist, a fifteen-year-old Jewish-American girl named Mary Russell. After losing her parents in a car accident, Mary moves to England to live with her aunt. In 1915, she befriends the 54-year-old Sherlock Holmes, who has retired from his consulting detective practice to raise bees. Holmes takes Mary under his wings and trains her in detecting skills. This was the first in a series of thirteen novels featuring the young detective-in-training. The novel’s protagonist may be fictional, but The Bodleian Library at the University of Oxford is a very real place. One of Europe’s oldest libraries, it has been in continuous operation since 1600s, but has roots going back to the 14th century. Oxford professors and students refer to the library as “Bodley” or simply “The Bod.”

The line is offered almost as an aside early in the novel, the first few pages of which are abundant with metaphors of all kinds. To sample them, go to: The Poisonwood Bible.

Langdell, Dean of the Harvard Law School and one of the legal profession’s most innovative educators, continued with this library analogy: “It is to us all that the laboratories of the university are to the chemists and physicists, the museum of natural history to the zoologists, the botanical garden to the botanists.” Langdell occupies a place in legal history as the person who introduced blind grading and the case method of instruction to Harvard’s law school.

Moran continued: “On a cold, rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen, instead. A human with a brain and a heart and a desire to be uplifted, rather than a customer with a credit card and an inchoate ‘need’ for ‘stuff.’”

Orwell’s entry describes his attendance at a discussion group for John Galsworthy’s The Skin Game. The discussion, which continued after the group adjourned to a local pub, was dominated by two men. The first was “a huge bull-headed man named Rowe” and the second “a youngish, very intelligent and extremely well-informed young man named Creed.” As it turns out, Creed was not a librarian, but the proprietor of a tobacconist’s shop.

Poundstone, a popular comedian and panelist on the NPR quiz show “Wait, Wait . . . Don’t Tell Me,” had recently become a national spokesperson for the Friends of the Library USA. This observation came from a 30-second PSA she made for the group. She went on: “Librarians have stood up to the Patriot Act, sat down with noisy toddlers, and reached out to illiterate adults. Libraries can never be shushed. If you haven’t been to your library lately, you’re over-due.”

A little later in the book, Sagan wrote: “The library connects us with the insights and knowledge, painfully extracted from Nature, of the greatest minds that ever were, with the best teachers, drawn from the entire planet and from all of our history, to instruct us without tiring, and to inspire us to make our own contribution to the collective knowledge of the human species.”

Schophauer continued: “Like the living creatures, those books were in their day very much alive and made a great stir. But they are now stiff and fossilized and are considered only by the literary paleontologist.”

LIES & LYING

(includes UNTRUTH; see also DECEPTION & DECEIPT and DISHONESTY and ERROR and FALSEHOOD and HONESTY and LYING TO ONESELF and MENDACITY and PERJURY and SELF-DECEPTION and TRUTH)

QUOTE NOTE: This saying so perfectly captured an enduring human reality that it quickly became proverbial. Over the centuries, it has been repeated in many different ways by many others.

In the essay, Arendt also wrote: “Truthfulness has never been counted among the political virtues, and lies have always been regarded as justifiable tools in political dealings.”

Arendt continued: “On the receiving end you get not only one lie—a lie which you could go on for the rest of your days—but you get a great number of lies, depending on how the political wind blows. And a people that no longer can believe anything cannot make up its mind. It is deprived not only of its capacity to act but also of its capacity to think and to judge. And with such a people you can then do what you please.”

Butler went on to write: “Lying has a kind of respect and reverence with it. We pay a person the compliment of acknowledging his superiority whenever we lie to him.”

QUOTE NOTE: This is the well known portion of the quatrain. It continues with this less familiar portion: “And I defy/Historian—heroes—lawyers—priests, to put/A fact without some leaven of a lie.”

QUOTE NOTE: This is how the quotation appears on most internet sites, but it was originally part of this larger observation: “Of course I lie to people. But I lie altruistically—for our mutual good. The lie is the basic building block of good manners. That may seem mildly shocking to a moralist—but then what isn’t?”

QUOTE NOTE: The Accidence was the first English grammar book written exclusively for young women. The author, an English schoolmistress from a prominent London family, may have been largely forgotten by history, but her students included such pioneering female writers as Maria Edgeworth, Frances Burney, and Hester Thrale. For more maxims and reflections from the book, go to The Accidence.

QUOTE NOTE: After continuing with a few more thoughts on the dangers of lying to oneself, Father Zosima concludes by saying: “A man who lies to himself is often the first to take offense. It sometimes feels very good to take offense, doesn’t it? And surely he knows that no one has offended him, and that he himself has invented the offense and told lies just for the beauty of it, that he has exaggerated for the sake of effect, that he has picked on a word and made a mountain out of a pea—he knows all of that, and still he is the first to take offense, he likes feeling offended, it gives him great pleasure, and thus he reaches the point of real hostility.”

Binewski preceded the remark by saying: “The truth is always an insult or a joke. Lies are generally tastier. We love them.”

Gibbons continued: “If it is a crime to counterfeit money, it is a greater crime to adulterate virtue. The more precious the genuine coin, the more criminal and dangerous is the spurious imitation.”

COMPILER’S NOTE: Given the realities of modern life, I believe Gracián’s observation can be amended in the following way: “A single lie destroys a whole reputation for integrity—unless the liar is the head of your political party or religious sect.”

Just prior to this thought, the narrator had written about Scobie: “The truth, he thought, has never been of any real value to any human being—it is a symbol for mathematicians and philosophers to pursue.”

This is the concluding sentence of the opening paragraph to the book. Harris preceded the thought by writing: “Among the many paradoxes of human life, this is perhaps the most peculiar and consequential: We often behave in ways that are guaranteed to make us unhappy. Many of us spend our lives marching with open eyes toward remorse, guilt, and disappointment. And nowhere do our injuries seem more casually self-inflicted, or the suffering we create more disproportionate to the needs of the moment, than in the lies we tell to other human beings.”

Jefferson preceded the thought by writing: “It is of great importance to set a resolution not to be shaken, never to tell an untruth.”

Defining lying as “intentional untruth,” Kant went on to add: “Lying…need not be harmful to others in order to be repudiated; for it would then be a violation of the rights of others. It may be done merely out of frivolity or even good nature, the speaker may even intend to achieve a really good end by it. But his way of pursuing this end is, by its mere form, a crime of a human being against his own person and a worthlessness that must make him contemptible in his own eyes.”

ERROR ALERT: On most internet sites, the quotation is presented in this abridged form: “By a lie a man annihilates his dignity as a man.”

Le Guin continued: “In that sense you can say that grammar is morality. And it is in that sense that I say a writer’s first duty is to use language well.”

The narrator is describing the thought processes of the title character, who is deciding not to disclose a dark secret to his mother, one that will pain her deeply. Just earlier, as he rationalizes the decision, he thinks: “The truth should not always be paraded.”

In that same essay, Rich also expressed the thought in this way: “The liar leads an existence of unutterable loneliness.”

QUOTE NOTE: In the film, the line is delivered by James Spader (as the character Graham) to Andie MacDowell (as Annie).

QUOTE NOTE: Stevenson, who offered this remark during his first presidential campaign against Dwight Eisenhower, has long been admired for this clever mingling of two biblical passages (Proverbs—12:22 and Psalms 46:1), but his observation was borrowed almost completely from a 1901 Mark Twain remark on unconscious humor (to be seen below).

Stevenson went on to add: “How many loves have perished because, from pride, or spite, or that unmanly shame which withholds a man from daring to betray emotion, a lover, at the critical point of the relation[ship], has but hung his head and held his tongue?”

QUOTE NOTE: Twain offered this thought as he was making a distinction between conscious and unconscious humor. Instead of unconscious humor, a more appropriate term might have been inadvertent humor, for in this case the school boy was inadvertently conflating two biblical proverbs (Book of Proverbs—12:22 and Book of Psalms 46:1). About the schoolboy’s definition, Twain added: “That may have been unconscious humor, but it looked more like hard, cold experience and knowledge of facts.”

Chaffrey, a spiritualist huckster, preceded the remark by observing: “I am prepared to maintain that Honesty is essentially an anarchistic and disintegrating force in society, that communities are held together and the progress of civilization made possible only by vigorous and sometimes even, violent Lying; that the Social Contract is nothing more or less than a vast conspiracy of human beings to lie and humbug themselves and one another for the general Good.” A bit earlier, he had said to Lewisham: “I don’t think you fully appreciate the importance of Illusion in life, the Essential Nature of Lies and Deception of the body politic.”

Williams preceded the thought by saying: “I regard hypocrisy and mendacity as almost the cardinal sins. It seems they are the ones to which I am most hostile.”

[White] LIES

(see also DECEPTION & DECEIPT and DISHONESTY and ERROR and FALSEHOOD and HONESTY and LIES & LYING and MANNERS and TRUTH)

The captain continued: “I know but of one point on which a lie is excusable, and that is, when you wish to deceive the enemy. Then your duty to your country warrants your lying till you’re black in the face.; and, for the very reason that it goes against your grain, it becomes, as it were, a sort of virtue.”

Paley continued: “I have seldom known anyone who deserted truth in trifles that could be trusted in matters of importance.”

COMPILER'S NOTE: Here are two of my own observations on the subject:

“Life would be intolerable without the soothing balm of a considerate white lie.”

“If hypocrisy is the homage that vice pays to virtue, then white lies are the homage that virtue pays to vice.”

LIFE

(includes LIVING; see also DEATH and EXISTENCE and THE GOOD LIFE and LIFE & DEATH and LIFE AS A WORK OF ART and LIFE & THE ART OF LIVING and [Meaning of] LIFE and [Secrets of] LIFE and MORTALITY)

Abbott continued: “There is no way in which virtue can be won save by battle; there is no way in which battle can be fought without possibility of defeat.”

QUOTE NOTE: This was Ackerman’s reflection—at age thirty-seven—as she looked back over nearly two decades as a poet and writer who attempted to enrich her life through such varied activities as teaching, working as a cowhand, and piloting planes.

Allen added: “The real question in life is how one copes in that crisis. I just hope I’m never tested, because I’m very pessimistic about how I would respond. I worry that I tend to moralize, as opposed to being moral.”

QUOTATION CAUTION: This quotation has been extremely popular since it appeared, without source information, in a popular 1886 quotation anthology: Edge-Tools of Speech by Maturin M. Ballou. In 1896, J. K. Hoyt’s The Cyclopedia of Practical Quotations said the observation came from “Preface to Works” (a citation that has since been repeated countless times). While the quotation may indeed be authentic, I’ve been unable to locate it in any of Anderson’s works.

QUOTE NOTE: This saying—so popular it may almost be considered a modern proverb—has been attributed to many people (Katherine Ross, Rose Tremain, Wayne Dyer, and Tallulah BankHead), but an original author has never been identified. Thanks to the Quote Investigator, we now know that the earliest published evidence of the saying was in 1953, when a Covina, California newspaper identified it as the title of a sermon by Lawrence T. Holman, the pastor of a local church. There is no evidence, though, that Rev. Holman himself authored the saying. A popular variant is Life is no dress rehearsal.

ERROR ALERT: Almost all internet sites and scores of quotation anthologies attribute this quotation to Andy Rooney, but there is no evidence he ever said such a thing.

QUOTE NOTE: This is how the quotation is almost always presented, but it is an abridgment of a fascinating larger passage in which Mr. Carfrae, an aging minister who is about to retire, offers some parting words of wisdom to his twenty-one-year old replacement, Gavin Dishart. He says: “The useless men are those who never change with the years. Many views that I held to in my youth and long afterwards are a pain to me now, and I am carrying away…memories of errors into which I fell at every stage of my ministry. When you are older you will know that life is a long lesson in humility.”

Bateson introduced the thought by writing: “An artist takes ingredients that may seem incompatible, and organizes them into a whole that is not only workable, but finally pleasing and true, even beautiful.”

QUOTE NOTE, This is the opening line of one of Baudelaire’s best-known pieces. For an alternate translation and a presentation of the complete prose poem, go to ”Anywhere Out of the World”.

QUOTE NOTE: Beyond the Fringe, a pioneering stage satire that laid the foundation for such later productions as That Was the Week That Was and Monty Python’s Flying Circus, was co-authored and performed by Bennett, Peter Cook, Dudley Moore, and Jonathan Miller. Bennett, who offered this line in an “Alan Bennett Solo” at the beginning of Act II, continued: “Some of us—some of us think we’ve found the key, don’t we? We roll back the lid of the sardine tin of Life, we reveal the sardines, the riches of Life, therein and we get them out, we enjoy them. But, you know, there’s always a little piece in the corner you can’t get out.”

The Revised Standard Version of the passage is: “What is your life? For you are a mist that appears for a little time and then vanishes.”

QUOTATION CAUTION: This is an extremely popular quotation, but I’ve been unable to find it—in either standard English or in Billings’s characteristic phonetic style—in any of his published works.

Burroughs added: “And just as motion and direction are the remedy for one, so purpose and activity are the remedy for the other.”

QUOTE NOTE: Osbon said she heard the remark directly from Campbell and immediately recorded it in her journal.

ERROR ALERT: All over the internet, a strikingly similar quotation is attributed to English writer E. M. Forster (“We must be willing to let go of the life we have planned, so as to have the life that is waiting for us”). There is no evidence that Forster ever wrote or said anything like this (sadly, the erroneous attribution now shows up on almost all internet quotation sites.) For more, see this 2017 post by Garson O'Toole, better known as the Quote Investigator.

QUOTATION CAUTION: This is how the quotation is commonly presented, but it was originally part of a larger message that Mrs. Ramsay was sending to Lucy: “Nothing really matters but living. Get all you can out of it. I’m an old woman, and I know. Accomplishments are the ornaments of life, they come second.”

Churchill added: “Always the problems—or it may be the same problem—will be presented to every generation in different forms.”

QUOTE NOTE: This is the earliest published example I’ve found of a saying that has become so popular it may almost be considered a modern proverb.

QUOTE NOTE: This is generally regarded as the origin of the proverbial saying Variety is the spice of life. The underlying idea was not original to Cowper, though. The notion that variety was a kind of antidote to staleness was first advanced by Publilius Syrus, who wrote in Sententiae (1st c. B.C.): “No pleasure endures unseasoned by variety.”

ERROR ALERT: Almost all internet sites and quotation anthologies present an abridged form of the quotation: “Life is a crowded superhighway with bewildering cloverleaf exits on which a man is liable to find himself speeding back in the direction he came.” The thoughts and observations of Stan Waltz, a Polish-American blue-collar worker with intellectual aspirations that surpass his limited education, are filled with solecisms (e.g., he also speaks of “identity crisises” and confuses allusion with illusion).

QUOTE NOTE: This was the winning “Senior Division” entry in a “Life Metaphors Competition” I sponsored in 2013. For the “Adult Division” winner, see the Ned Fergusion entry below. For the winning entry in the “Pre-Teen Division,” see the Aidan Kash & Alex Torre entry below. All finalists in the competition may be seen at: Dr. Mardy Newsletter.

QUOTE NOTE: The underlying notion is that scholars—indeed, all people—will become fully educated only when they set aside their books and draw upon real life experiences. In A History of American Literature (2011), Richard Gray said about Emerson’s assertion: “From this, it follows that everything in life is a source of knowledge, even the humblest, everyday subject or event. From this, it also follows that everyone can be a gatherer of knowledge, a scholar. The sources of knowledge are everywhere and are accessible to anyone who cares to attend.” The full address may be seen at Life is Our Dictionary.

Emerson continued: “What if they are a little coarse, & you may get your coat soiled or torn? What if you do fail, and get fairly rolled in the dirt once or twice? Up again, you shall nevermore be so afraid of a tumble.”

QUOTE NOTE: Erasmus’s work was well known in Elizabethan England, and it is likely that William Shakespeare was influenced by this line when he wrote his famous All the world’s a stage line (see Shakespeare entry in WORLD)

QUOTE NOTE: If you want to get somebody’s attention, Erasmus is suggesting here, use a pithy observation that is metaphorically phrased. He preceded the thought by writing: “An idea launched like a javelin in proverbial form strikes with sharper point on the hearer's mind and leaves implanted barbs for meditation.”

QUOTE NOTE: This was the winning “Adult Division” entry in a “Life Metaphors Contest” I sponsored in 2013. For the “Senior Division” winner, see the E. T. Dwyer entry above. For the “Pre-Teen Division” winner, see the Aidan Kash & Alex Torre entry below. All finalists in the competition may be seen at: Dr. Mardy Newsletter.

QUOTE NOTE: When Forrest repeats the line later in the film, he changes it from a metaphor to a simile, saying “My momma always said, ‘Life is like a box of chocolates. You never know what you’re gonna get.’”

Fry continued: “Thank the gods there is such a thing as redemption, the redemption that comes in the form of other people the moment you are prepared to believe that they exist.”

QUOTE NOTE: It is certainly true that Gaiman, through his famous character, wasn’t the first to offer the metaphor. I’ve seen it expressed in many different ways over the years. In The Sinner’s Congregation (1984), Guy Bellamy wrote: “Life is a sexually transmitted disease.” The following year, in a short piece in The Observer (March 17, 1985), Peter Hillmore quoted British psychiatrist R. D. Laing as saying: “Life, you see, is a sexually transmitted disease and there’s a 100 per cent mortality rate”). These observations may all be viewed as modern spin-offs of the Abraham Cowley quotation presented earlier.

ERROR ALERT: Every quotation anthology I’ve seen—and that amounts to several hundred when print and electronic sources are combined—has presented the observation without the someone has said that portion and cited Gardner as the author of the sentiment. In the WJoM article, however, Gardner makes it clear that he was simply quoting an observation from an unnamed source. Gardner was eighty years old at the time, and the article contains many thoughts of interest to those interested in the topic of lifelong growth and development. It may be viewed in full at Personal Renewal.

ERROR ALERT: The revised and enlarged 10th edition of Bartlett’s Familiar Quotations (1919) mistakenly ended the quatrain with the phrase in our own, and the error continues to show up on many internet quotation sites.

QUOTE NOTE: This might be the original inspiration of a concept—failing forward—that has become quite popular in recent years.

QUOTATION CAUTION: This popular quotation—which now usually appears with the phrase complete a character at the conclusion—has not been found in Goethe’s writing, and it may be a paraphrase of what he thought rather than something he actually wrote. Autumn Leaves was a monthly publication aimed at Mormon youth, popular in the late nineteenth century. To see the original publication, go to Autumn Leaves.

QUOTE NOTE: Golding was speaking to a group of Anglophiles who belonged to a club named Les Anglicistes. He was already famous—a result of his very first novel, the 1954 allegorical classic Lord of the Flies—but it would be another six years before he was named a 1983 Nobel Prize laureate. The full 1977 speech did not appear in the first edition of A Moving Target (1982), a collection of Golding essays, but it did appear in subsequent editions. See the Einstein and Schulz entries in this section for other bicycle metaphors.

Golshani continued: “You have to be patient and hard, gentle and firm. You have to take the weeds out, keep the wild birds away, and you have to see your sweat on the dry soil. You have to wake up early and go to bed late. You have to help and give help. All this to one day have the opportunity to harvest what you have worked so very hard for.”

The narrator preceded the observation by writing: “If we look through all the heroic fortunes of mankind, we shall find this same entanglement of something mean and trivial with whatever is noblest in joy or sorrow.”

QUOTE NOTE: This is one of the most popular quotations from one of America’s most influential Supreme Court justices, offered in an address at the 50th anniversary of Harvard’s graduating class of 1861. The original metaphor had occurred to Justice Holmes several months earlier, though. In a March 8, 1911 letter to Harvard student Oswald Ryan, he wrote: “Life is a romantic business. It is painting a picture, not doing a sum—but you have to make the romance, and it will come to the question of how much fire you have in your belly.”

QUOTE NOTE: This was the winning “Pre-Teen Division” entry in a “Life Metaphors Contest” I sponsored in 2013. At the time of the competition, Aidan and Alex were ten-year-old girls in the fourth grade at Anchorage Independent School in Louisville, Kentucky. Their teacher, Lisa Campbell, a newsletter subscriber, told students in her class about the competition, encouraged them to participate, and submitted entries on their behalf. For the “Senior Division” winner, see the E. T. Dwyer entry above. For the “Adult Division” winner, see the Ned Ferguson entry above. All finalists in the competition may be seen at: Dr. Mardy Newsletter.

QUOTATION CAUTION: Despite the enormous popularity of this quotation, an original source has not been identified. It sometimes appears in an abridged form, as in this version on IMDB: “Life is a great big canvas, throw all the paint you can at it.”

QUOTE NOTE: This observation has become indelibly associated with Keller, whose life personified the words. She added: “To keep our faces toward change and behave like free spirits in the presence of fate is strength undefeatable.”

Keller reprised the daring adventure line—exactly as it was originally phrased—in her 1957 book The Open Door, writing: “Security is mostly a superstition. It does not exist in nature, nor do the children of men experience it. Avoiding danger is no safer in the long run than outright exposure. Life is either a daring adventure or nothing.”

QUOTE NOTE: Ur was a novella written exclusively for the Amazon Kindle platform. A heavily revised edition of the work was later included with other King works in The Bazaar of Bad Dreams (2015). In the revised edition, the final two sentences were collapsed into one: “Cortland’s winter dog was Negrita, but he thought of it only as the scarecrow dog….”

QUOTE NOTE: Lawrence and Lee’s play was adapted from Patrick Dennis’s 1955 novel by the same title, but nothing like the sentiment above appeared in the book. In the play, the line was delivered in an unforgettable way by Rosalind Russell (it went on to become a signature line for Russell, who titled her 1977 autobiography Life is a Banquet). When the play was adapted into a 1958 film, also starring Russell, the line was sanitized to “most poor suckers are starving to death.”

QUOTATION CAUTION: This quotation—with spectacular metaphorical phrasing and aphoristic artistry—has become very popular, but an original source has not been found.

QUOTE NOTE: Mumford continued in a fascinating way. It’s a bit longer than most of the quotations featured here, but the metaphor is so beautiful I think you will appreciate it:

“In life, we must begin to give a public performance before we have acquired even a novice’s skill; and often our moments of seeming mastery are upset by new demands, for which we have acquired no preparatory facility. Life is a score that we play at sight, not merely before we have divined the intentions of the composer, but even before we have mastered our instruments; even worse, a large part of the score has been only roughly indicated, and we must improvise the music for our particular instrument, over long passages. On these terms, the whole operation seems one of endless difficulty and frustration; and indeed, were it not for the fact that some of the passages have been played so often by our predecessors that, when we come to them, we seem to recall some of the score and can anticipate the natural sequence of the notes, we might often give up in sheer despair.”

ERROR ALERT: The first line of the Mumford quotation is often mistakenly presented as if it ended that are essential for training.

In his address on “the core ideas that have helped me” in life, Munger continued: “Every mischance in life was an opportunity to learn something and your duty was not to be submerged in self-pity, but to utilize the terrible blow in a constructive fashion. That is a very good idea.”

QUOTE NOTE. The final four letters, of course, stand for “Live Long and Prosper,” Dr. Spock’s catchphrase from the Star Trek franchise. Nimoy died later that week, at age 83, on Feb. 27, 2015. For more, see this Scientific American Nimoy Obituary.

Norris added: “ It would be good to find some quiet inlet where the waters were still enough for reflection, where one might sense the joy of the moment, rather than plan breathlessly for a dozen mingled treats in the future.”

Ortega y Gasset added: “We live in proportion to the extent to which we yearn to live more.”

Park continued: “We cannot all of us excel in the minor arts. But whether we like it or no, we are all artists in the art of arts and are producing either ugly or beautiful lives out of the materials at our command.” The original source of this quotation was long a mystery to me, but Park’s great-grandson (who shares his name) recently provided the citation (as well as a link to the original 1908 Book). He also informs me that the Reverend Dr. Park served as president of Wheaton College (Norton, Massachusetts) from 1926-44 and was one of the most popular college commencement speakers of his era.

Rabbi Packouz added: “If you look happy, they will respond buoyantly. If you look upset, they will be cautious or concerned. If you want a joyous life try to be happy around others. It will be easier on them and more enjoyable for you.”

QUOTE NOTE: This is the way the quotation is typically presented, but it was originally part of a larger metaphorical observation about the operation of life: “Why does a man who is truly in love insist that this relationship must continue and be ‘lifelong’? Because life is pain and the enjoyment of love is an anesthetic. Who would want to wake up halfway through an operation?”

QUOTE NOTE: This is the way the quotation is typically presented, but it originally appeared in the following fuller passage: “Life is the game that must be played:/This truth at least, good friend, we know;/So live and laugh, nor be dismayed/As one by one the phantoms go.”

ERROR ALERT: In many quotation compilations, come is mistakenly replaced by came.

QUOTE NOTE: This quotation, and a bit more, has also been translated in the following way: “Towards the end of life, much the same happens as at the end of a masked ball when the masks are removed. We now see hothouse really were with whom we had come in contact during the course of our life. Characters have revealed themselves, deeds have borne fruit, achievements have been justly appreciated, and all illusions have crumbled away.”

QUOTE NOTE: This quotation has also been translated in the following way: “The first forty years of our life give the text, the next thirty furnish the commentary upon it, which enables us rightly to understand the true meaning and connection of the text with its moral and its beauties.”

QUOTE NOTE: The strip was later reprinted in Life is Like a Ten-Speed Bicycle, a 1998 book devoted exclusively to Linus’s philosophical reflections. To see the original cartoon, go to: 1981 Peanuts Cartoon.

QUOTE NOTE: One of history’s most famous similes, this observation has been translated in many different ways over the centuries. Another common translation is: “As is a tale, so is life: not how long it is, but how good it is that matters.”

QUOTE NOTE: This legendary passage inspired the title of William Faulkner’s 1929 novel The Sound and the Fury. Macbeth began the observation by famously exclaiming about life, “Out, out brief candle!” See the Shaw entry below for a rejection of that idea.

QUOTE NOTE: The brief candle phrase here as an allusion to—and an absolute rejection of—an idea contained in Macbeth’s famous lament about life: “Out, out brief candle.” See the full passage in the Shakespeare entry above.

QUOTE NOTE: Lubin is speaking to another character, Mr. Burge. He continues: “You are always at the crisis; I am always in the convalescent stage. I enjoy convalescence. It is the part that makes the illness worth while.”

Smiles continued: “If there were no difficulties, there would be no success; if there were nothing to struggle for, there would be nothing to be achieved.”

Tolle preceded the observation by writing: “There are three words that convey the secret of the art of living, the secret of all success and happiness: One With Life. Being one with life is being one with now. You then realize that you don’t live your life, but life lives you.”

About this immense storm of thoughts Twain continued: “Could you set them down stenographically? No. Could you set down any considerable fraction of them stenographically? No. Fifteen stenographers hard at work couldn’t keep up. Therefore a full autobiography has never been written, and it never will be.”

ERROR ALERT: Almost all internet sites present the quotation with the mistaken wording “by the vague memories.”

Warren added: “Not all of them are big, but all are significant in God’s growth process for you.”

QUOTE NOTE: This is how the quotation usually appears, but it was originally part of an exceptionally interesting larger passage about parents advising their children. As Mrs. Peyton reflects on her son Dick’s distraught state, she believes she has some life experiences that bear on his problem and some insights into his situation that might prove helpful. But at that same moment, she realizes he will likely learn best from his own experiences, and not as a result of any advance counsel provided by her. The narrator puts it this way:

The peculiar misery of her situation was that she could not, except indirectly, put this intuition, this foresight, at his service. It was a part of her discernment to be aware that life was the only real counsellor [sic], that wisdom unfiltered through personal experience does not become a part of the moral tissues. Love such as hers had a great office, the office of preparation and direction; but it must know how to hold its hand and keep its counsel, how to attend upon its object as an invisible influence rather than as an active interference

THE GOOD LIFE

(see also LIFE and LIFE AS A WORK OF ART and LIFE & THE ART OF LIVING and [Meaning of] LIFE and [Secrets of] LIFE)

In the book, Rogers also wrote: “This process of the good life is not, I am convinced, a life for the faint-hearted. It involves the stretching and growing of becoming more and more of one's potentialities. It involves the courage to be. It means launching oneself fully into the stream of life.”

LIFE & DEATH

(includes LIVING & DYING; see also DEATH and EXISTENCE and LIFE and LIFE AS A WORK OF ART and LIFE & THE ART OF LIVING and MORTALITY)

ERROR ALERT: Almost all internet sites mistakenly present the verse as if it began Life is a sheet of paper white.

LIFE AS A WORK OF ART

(see also [Work of] ART and DEATH and EXISTENCE and LIFE and LIFE & DEATH and LIFE & THE ART OF LIVING and [Meaning of] LIFE and [Secrets of] LIFE and MORTALITY)

Bateson introduced the thought by writing: “An artist takes ingredients that may seem incompatible, and organizes them into a whole that is not only workable, but finally pleasing and true, even beautiful.”

Carlyle finished the thought by writing: “Also, it may be said, there is no life of a man, faithfully recorded, but is a heroic poem of its sort, rhymed or unrhymed.” The entire quotation is an example of chiasmus.

QUOTATION CAUTION: This popular quotation—which now usually appears with the phrase complete a character at the conclusion—has not been found in Goethe’s writing, and it may be a paraphrase of what he thought rather than something he actually wrote. Autumn Leaves was a monthly publication aimed at Mormon youth, popular in the late nineteenth century. To see the original publication, go to Autumn Leaves.

ERROR ALERT: Every quotation anthology I’ve seen—and that amounts to several hundred when print and electronic sources are combined—has presented the observation without the someone has said that portion and cited Gardner as the author of the sentiment. In the WJoM article, however, Gardner makes it clear that he was simply quoting an observation from an unnamed source. Gardner was eighty years old at the time, and the article contains many thoughts of interest to those interested in the topic of lifelong growth and development. It may be viewed in full at Personal Renewal.

QUOTE NOTE: This is one of the most popular quotations from one of America’s most influential Supreme Court justices, offered in an address at the 50th anniversary of Harvard’s graduating class of 1861. The original metaphor had occurred to Justice Holmes several months earlier, though. In a March 8, 1911 letter to Harvard student Oswald Ryan, he wrote: “Life is a romantic business. It is painting a picture, not doing a sum—but you have to make the romance, and it will come to the question of how much fire you have in your belly.”

QUOTATION CAUTION: Despite the enormous popularity of this quotation, an original source has not been identified. It sometimes appears in an abridged form, as in this version on IMDB: “Life is a great big canvas, throw all the paint you can at it.”

QUOTE NOTE: Mumford continued in a fascinating way. It’s a bit longer than most of the quotations featured here, but the metaphor is so beautiful I think you will appreciate it:

“In life, we must begin to give a public performance before we have acquired even a novice’s skill; and often our moments of seeming mastery are upset by new demands, for which we have acquired no preparatory facility. Life is a score that we play at sight, not merely before we have divined the intentions of the composer, but even before we have mastered our instruments; even worse, a large part of the score has been only roughly indicated, and we must improvise the music for our particular instrument, over long passages. On these terms, the whole operation seems one of endless difficulty and frustration; and indeed, were it not for the fact that some of the passages have been played so often by our predecessors that, when we come to them, we seem to recall some of the score and can anticipate the natural sequence of the notes, we might often give up in sheer despair.”

ERROR ALERT: The first line of the Mumford quotation is often mistakenly presented as if it ended that are essential for training.

Park continued: “We cannot all of us excel in the minor arts. But whether we like it or no, we are all artists in the art of arts and are producing either ugly or beautiful lives out of the materials at our command.” The original source of this quotation was long a mystery to me, but Park’s great-grandson (who shares his name) recently provided the citation (as well as a link to the original 1908 Book). He also informs me that the Reverend Dr. Park served as president of Wheaton College (Norton, Massachusetts) from 1926-44 and was one of the most popular college commencement speakers of his era.

QUOTE NOTE: One of history’s most famous similes, this observation has been translated in many different ways over the centuries. Another common translation is: “As is a tale, so is life: not how long it is, but how good it is that matters.”

Thoreau introduced the thought by writing: “Every man is the builder of a temple, called his body, to the god he worships, after a style purely his own.”

LIFE & THE ART OF LIVING

(see also EXISTENCE and DEATH and LIFE and LIFE & DEATH and MORTALITY)

ERROR ALERT: Most quotation anthologies and almost all internet sites mistakenly present the observation as if it ended with “holding on.”

Nin preceded the thought by writing: “By being alive, I mean living out of all ther cells, all the parts of one’s self. The cells which are denied become atrophied, like a dead arm, and infect the rest of the body.”

Park continued: “We cannot all of us excel in the minor arts. But whether we like it or no, we are all artists in the art of arts and are producing either ugly or beautiful lives out of the materials at our command.” The original source of this quotation was long a mystery to me, but Park’s great-grandson (who shares his name) recently provided the citation (as well as a link to the original 1908 Book). He also informs me that the Reverend Dr. Park served as president of Wheaton College (Norton, Massachusetts) from 1926-44 and was one of the most popular college commencement speakers of his era.

[Meaning of] LIFE

(see also LIFE and THE GOOD LIFE and LIFE & THE ART OF LIVING and [Secrets of] LIFE)

ERROR ALERT: This observation has been attributed to Franz Kafka all over the internet and in hundreds of books and quotation anthologies, but it has never been found in any of his writings.

Frankl continued: “Therein he cannot be replaced, nor can his life be repeated. Thus, everyone's task is unique as his specific opportunity to implement it.”

[Secrets of] LIFE

(see also LIFE and THE GOOD LIFE and LIFE & THE ART OF LIVING)

QUOTE NOTE: A few months earlier, Carroll had asked Terry—one of the era’s most prominent actresses—if she would be willing to recommend some teachers of elocution for the child of one of his friends (she had recently expressed interest in acting as a career). Terry not only met with the girl, but took the time to provide her with some private lessons). Carroll was so touched by Terry’s kindness and generosity that he wrote at the beginning of the letter: “What is one to do with a friend who does about 100 times more than you ask them to do?”

ERROR ALERT: Almost all Internet sites present an abridged and paraphrased version of the thought: “One of the deep secrets of life is that all that is really worth the doing is what we do for others.”

LIFTING & UPLIFTING

(see also RAISING)

Van Dyke added: “There is a nobler character than that which is merely incorruptible. It is the character which acts as an antidote and preventive of corruption.”

LIGHT

(see also BRIGHTNESS and CANDLE and DARKNESS and DAWN and DAYLIGHT and ILLUMINATION and DARKNESS & LIGHT and LIGHT BULB and SHADOW and SUNSHINE)

QUOTE NOTE: Cohen wrote many memorable lyrics in his career, but few rival the power of this simple refrain about imperfection in human life. To see Cohen deliver a live performance of the song, go to Anthem.

QUOTE NOTE: According to Anderson, this now-famous quotation first appeared in Schweitzer’s Memoirs of Childhood and Youth (1924). Over the years, the passage has been rendered in a variety of slightly different ways, but this is the version I like best. Special thanks to Garson O’Toole, aka The Quote Investigator, for his typically brilliant research on the quotation. See his post here.

The verse continued: “I let my wick burn out—there yet remains/To spread an answering surface to the flame/That others kindle.”

She continued: “When that light has been put out, a heavy shadow of despair descends.”

LIGHTNESS & DARK

(see DARKNESS & LIGHT)

LIGHT BULB

(see also CANDLE and DARKNESS and ELECTRICITY and ENERGY and ILLUMINATION and LIGHT and POWER)

Bezos continued: “And they weren’t thinking about appliances when they wired the world. They were really thinking about — they weren't putting electricity into the home. They were putting lighting into the home.” The full speech may be viewed at Bezos TED talk.

LIKING & BEING LIKED

(see also LOVE and RELATIONSHIPS and PEOPLE PLEASING and POPULARITY)

LIMERICK

(see also POEM and POETRY & PROSE and POETS and POETS—ON THEMSELVES and POETS—DESCRIBED BY OTHERS and RHYME and SONNETS and VERSE)

QUOTE NOTE: When I first came upon this limerick in book on limericks, I was certain the last line had been presented in error, thinking the original phrasing was very likely “a whale of a tale.” After tracking down the original book, it turns out I was wrong. My reaction then became, “What the hell was Aiken thinking?”

Baring-Gould continued: “If the thought can be anticipated before the climax is reached, if the punch comes too early, the limerick is weakened. The real trick is a neat combination of metrical perfection, verbal felicity and a quick turn of wit. Without these, even the bawdiest limerick becomes stale and unprofitable.”

Untermeyer continued: “To the aficionado, there cannot be a six-line limerick any more than there can be a fifteen-line sonnet.”

LIMITATIONS

(including LIMITS; see also DEFECTS and FAULTS and FLAWS and IMPERFECTIONS and INADEQUACY and SHORTCOMINGS and STRENGTHS & WEAKNESSES and WEAKNESSES)

ERROR ALERT: All over the internet, this passage is presented as if it were phrased: “Argue for your limitations, and sure enough they’re yours.”

Brothers preceded the observation by writing: “In each of us are places where we have never gone, which is very surprising. You’d think that you would know yourself after having lived with yourself for a lifetime.”

ERROR ALERT: Most internet sites mistakenly attribute this quotation to Brendan Behan.

Frisell continued: “You know that thing about Miles Davis: when he was young and trying to play like Dizzy Gillespie, he said he couldn’t play that high or that fast. If he could have just played like Dizzy Gillespie, then there wouldn’t be any Miles Davis.”

Hockney continued: “After all, drawing in itself is always a limitation. It’s black and white, or line or not line, charcoal, pencil, pen. You might have a bit of color—but if you can use only three colors, you’ve got to make them look whatever color you want. What did Picasso say? ‘If you haven’t got any red, use blue.’ Make blue look like red.”

Keller continued: “I have never believed that my limitations were in any sense punishments or accidents. If I had held such a view, I could never have exerted the strength to overcome them.”

Keller added: “They tear away the bandage of indifference from our eyes, and we behold the burdens others are carrying, and we learn to help them by yielding to the dictates of a pitying heart.”

QUOTE NOTE: This is how the quotation is typically presented, but it was originally the conclusion to an observation Morley made about the famous French political figure known mainly by a single name: “To run risks for chivalry’s sake was not in Robespierre’s nature, and no man can climb out beyond the limitations of his own character.”

In their book, the Fitzgeralds also quoted O’Connor as saying: “Art transcends its limitations only by staying within them.”

QUOTE NOTE; I’ve also see the quotation translated in this way: “It is our duty as men and women to proceed as though limits to our abilities do not exist.”

Zafon added: “I think most writers enjoy the feeling of having written something, rather than the process of writing it.”

LINGERIE

(see also APPAREL and BRAS & PANTIES and FASHION and SEX and UNDERWEAR)

QUOTE NOTE: This has become one of Parker’s most popular quotations, but you should know that it’s a shortened version of her original creation. In 1916, while employed at Vogue magazine, Parker’s job included the writing of captions for the magazine’s many fashion and wardrobe layouts. On a page devoted to ladies’ underwear, she wrote the following: “From these foundations of the autumn wardrobe, one may learn that brevity is the soul of lingerie, as the Petticoat said to the Chemise.” See the full Shakespeare quotation in BREVITY. See also the Maugham entry in IMPROPRIETY.

LIQUOR

(see also ADDICTS & ADDICTION and ALCOHOL & ALCOHOLISM and BARS, PUBS, & TAVERNS and BEER & ALE and COCKTAILS and DRINKING & DRINKS and DRUGS & RECOVERY and DRUNKENNESS & DRUNKS and WHISKEY and WINE)

Rogers preceded the thought by writing: “The fun, joy, and humor dry up in a relationship when one of the partners is swimming in gin.”

LISTENING

(see also ATTENTION and COMMUNICATION and CONVERSATION and INTIMACY and SPEECH & SPEAKING and TALK & TALKING and TALKING & LISTENING and UNDERSTANDING)

QUOTE NOTE: This beautiful translation comes from The Jerusalem Bible (TJB). The King James Version is: “If thou love to hear, thou shalt receive understanding: and if thou bow thine ear, thou shalt be wise.” The TJB version goes on to offer two additional pieces of wise conversational advice: “Listen before you answer; and do not interrupt a speech in the middle” (11:8) and “To retort without first listening is folly” (18:3).

ERROR ALERT: This quotation mistakenly appears all over the internet in this abridged form: “Were we as eloquent as angels we still would please people much more by listening rather than talking.”

Craik continued: “Oh, the comfort—the inexpressible comfort of feeling safe with a person—having neither to weigh thoughts nor measure words, but pouring them all right out, just as they are, chaff and grain together; certain that a faithful hand will take and sift them, keep what is worth keeping, and then with the breath of kindness blow the rest away.”

Miller preceded the observation by writing: “People love to talk but hate to listen. Listening is not merely not talking, though even that is beyond most of our powers; it means taking a vigorous, human interest in what is being told us.

Rogers continued: “In such moments I have had the fantasy of a prisoner in a dungeon, tapping out day after day a Morse code message, ‘Does anybody hear me? Is anybody there?’ And finally one day he hears some faint tappings which spell out ‘Yes’ By that one simple response he is released from his loneliness; he has become a human being again.”

Rogers introduced the thought by saying: “I can testify that when you are in psychological distress and someone really hears you without passing judgment on you, without trying to take responsibility for you, without trying to mold you, it feels damn good!”

In discussing what he called “the flattery of listening,” Taylor preceded this lovely chiastic observation by writing: “He that can wear the appearance of drinking in every word that is said with thirsty ears, possesses such a faculty for conciliating mankind as a siren might envy.”

Thoele continued: “When someone welcomes us with open-hearted, accepting, interested listening, our spirits expand and we are inspired to unveil the miracle of our Self.”

Thoreau continued: “I am surprised, as well as delighted, when this happens, it is such a rare use he would make of me, as if he were acquainted with the tool.” The article, which appeared after Thoreau’s death in 1862, was based on a series of lectures (titled “What Shall It Profit?”) that Thoreau had delivered in previous years.

QUOTATION CAUTION: This is one of Tillich’s most famous lines, but I’ve not been able to locate an original source (he was first quoted as making the remark in a 1964 article in The Episcopalian). The observation certainly sounds authentic, though, and is consistent with other things Tillich had to say on love and listening. In “Personal Relations,” an essay in the book Love, Power, and Justice (1954), he wrote: “In order to know what is just in a person-to-person encounter, love listens. It is its first task to listen. No human relation, especially no intimate one, is possible without mutual listening.”

Ueland preceded the thought by writing: “Listening is a magnetic and strange thing, a creative force. You can see that when you think how the friends that really listen to us are the ones we move toward, and we want to sit in their radius as though it did us good, like ultraviolet rays.”

QUOTE NOTE: In his 1942 book Love Against Hate, psychiatrist Karl Menninger was so impressed with Ueland’s observation that he wrote about it: “The principal element in the technique of psychoanalysis is listening—uncritical but attentive listening. A good many hundreds of pages have been written about this in the technical literature, but I do not recall anything else so eloquent and, at the same time, so sound.”

LISTS & LIST-MAKING

(see also ORGANIZATION and PLANNING)

In the novel, Garcia continued: “Or perhaps our own better attributes and the lack of those attributes in others. Either way, I suppose I am not an exception.”

LITERACY

(see also BOOKS and EDUCATION and LEARNING and READING and WRITING)

The United Nations Secretary-General continued: “Literacy is a platform for democratization, and a vehicle for the promotion of cultural and national identity. Especially for girls and women, it is an agent of family health and nutrition. For everyone, everywhere, literacy is, along with education in general, a basic human right.”

LITERATURE

(see also AUTHORS and BOOKS and FICTION and NOVELS & NOVELISTS and READING and WRITERS and WRITING)

Atwood introduced the observation by writing: “What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else.”

ERROR ALERT: The final portion of this observation is almost always mistakenly presented as Literature is the question minus the answer. Barthes continued: “No literature in the world has ever answered the question it asked, and it is this very suspension which has always constituted it as literature. It is that very fragile language which set men between the violence of the question and the silence of the answer.”

QUOTATION CAUTION: Byrne’s book appears to be the first published appearance of this now famously-repeated observation from one of our best contemporary humorists. So far, I’ve been unable to track down an original source.

Buechner continued: “Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady in the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.”

QUOTE NOTE: This is how the quotation is usually presented, but it was part of a fuller observation when Capote first advanced the thought. Earlier in the year, Esquire magazine printed three chapters from Capote’s long-anticipated novel Answered Prayers. The chapters were filled with numerous gossipy tidbits that resulted in widespread speculation about the real identities of the novel’s characters. In response to the question, “Is gossip literature?” Capote replied:

“Of course it is—and, in fact, my entire book is gossip. I don’t deny that for an instant. What I say is that all literature is gossip, certainly all prose-narrative literature. What in God’s green earth is Anna Karenina or War and Peace or Madame Bovary if not gossip? Or Jane Austen? Or Proust? Gossip is the absolute exchange of human communication. It can be two ladies at the back fence or Tolstoy writing War and Peace.”

In her 1988 writing guide Starting From Scratch, Rita Mae Brown picked up on the theme when she wrote: “I believe all literature started as gossip.”

Two years earlier, in Memoirs of a Dutiful Daughter (1958), de Beauvoir offered an even more compelling metaphor: “Literature takes its revenge on reality by making it the slave of fiction.”

QUOTE NOTE: In this letter to her editor, Eliot feared she might be flirting with the danger of repeating herself and her themes if she (like Francis Trollope) became too productive or prolific. She preceded the thought by writing: “I have the conviction that excessive literary production is a social offense.”

QUOTE NOTE: This is how the observation typically appears in quotation anthologies, but it was originally part of a beautiful larger passage in which James presented “a valuable moral” that could be learned from studying Hawthorne. He wrote: “This moral is that the flower of art blooms only where the soil is deep, that it takes a great deal of history to produce a little literature, that it needs a complex social machinery to set a writer in motion.” To see how James continued the thought, go to: Hawthorne

James added: “Only if we actually tend or care will it transpire that every hundred years or so we might get a Middlemarch.”

Keller added: “Here I am not disenfranchised. No barrier of the senses shuts me out from the sweet, gracious discourse of my book-friends. They talk to me without embarrassment or awkwardness.”

Lessing continued: “If you read, you can learn to think for yourself.”

Marquez added: “Both are very hard work. Writing something is almost as hard as making a table. With both you are working with reality, a material as hard as wood. Both are full of tricks and techniques.”

Nabokov added: “Between the wolf in the tall grass and the wolf in the tall story there is a shimmering go-between. That go-between, that prism, is the art of literature.”

Pavese added: “It says to life: ‘You can’t deceive me. I know your habits, foresee and enjoy watching your reactions, and steal your secret by involving you in cunning obstructions that halt your normal flow.’”

Paz added: “But the contrary is also true: language is what makes us human. It is a recourse against the meaningless noise and silence of nature and history.”

QUOTE NOTE: The Book of Disquiet, published 47 years after Pessoa’s death in 1935, was presented to the world as the autobiography of one of Pessoa’s heteronyms, an unmarried Portuguese bookkeeper named Bernardo Soares. The book was pieced together from thousands of pages of Pessoa’s diary entries, personal and philosophical ramblings, autobiographical vignettes, poems, and other literary fragments. For more on Pessoa, see this review of a new translation of The Book of Disquiet in The Guardian (June 21, 2001).

A bit later, Singer went on to explain: “We [writers], for some reason, always love to discuss and discover character. This is because each character is different, and human character is the greatest of puzzles. No matter how much I know a human being, I don’t know him enough. Discussing character constitutes a supreme form of entertainment.”

Sontag introduced the thought by writing: “The writer’s first job is not to have opinions but to tell the truth…and refuse to be an accomplice of lies and misinformation.” [ellipsis in original]

LITIGATION

(see LAWSUITS & LITIGATION)

LITTLE

(see also AMOUNTS and LITTLENESS and NOTHING and PETITE and SMALL and TINY)

ERROR ALERT: A very similar saying is commonly attributed to Edmund Burke, but there is no evidence that he ever said or wrote such a thing. Many thanks to Garson O’Toole for tracking down the source of this quotation. See his Quote Investigator post here.

LITTLENESS

LIVING & DYING

(see LIFE & DEATH)

LOBSTERS

(see also ANIMALS and FISH and SHELLFISH)

QUOTE NOTE: This was Nerval’s explanation for why he walked a lobster on a leash in the gardens of the Palais Royal.

LOGIC

(see also ANALYSIS and PHILOSOPHY and PERSUASION and REASON)

LONELINESS

(see also [BEING] ALONE and RELATIONSHIPS and SOLITARINESS and SOLITUDE)

Arendt was comparing loneliness to solitude, which she described this way: “Solitude is that human situation in which I keep myself company.”

See also the related thought by Gabriel Garcia Marquez below.

QUOTE NOTE: This is an early—and perhaps the earliest—example of a powerful theme in human interaction that might be described as relationship loneliness (for several more, see the Gilman, Greer, Hubbard, and Jong entries below).

The narrator continued: “Now and then a fatal conjunction of events may lift the veil for an instant. For an instant only. No human being could bear a steady view of moral solitude without going mad.”

QUOTE NOTE: For a biographical note on the author, who for many years was a great mystery to quotation lovers, see the Brendan Francis entry in Quotations.

QUOTE NOTE: Gilman might have been inspired by a similar—and very well known—observation from Germaine Greer, just below.

A bit later in the book, Hammarskjöld went on to write: “Pray that your loneliness may spur you into finding something to live for, great enough to die for.”

Hillesum continued: “And sometimes the most important thing in a whole day is the rest we take between two deep breaths, or the turning inwards in prayer for five short minutes.”

QUOTE NOTE: This is an early example of a number of quotations that describe what might be termed relationship loneliness (see Gilman, Greer, and Jong in this section). Writing about the mother of Alexander Hamilton, Hubbard was describing her marriage to a dull and distant husband while the couple lived on the Caribbean island of Nevis (near Saint Kitts). Here’s his masterful metaphorical description of what life must have been like for this vibrant woman to be married to an emotionally constipated man: “To be cast on a desert isle with a being, no matter how good, who is incapable of feeling with you the eternal mystery of the encircling tides; who can only stare when you speak of the moaning lullaby of the restless sea; who knows not the glory of the sunrise, and feels no thrill when the breakers dash themselves into foam, or the moonlight dances on the phosphorescent waves—ah, that is indeed exile.”

QUOTE NOTE: Here’s the full passage, which captures the essence—and the despairing quality—of relationship loneliness: “This was the bottom, the lowest point in marriage. Sleeping alone in the same house, unable to comfort each other. More alone than if we’d never met. Better to live in a cave like a hermit or to haunt singles’ bars, cruising for one-night stands. There is no loneliness like the loneliness of a dead marriage. The bed might as well be a raft in a shark-infested sea. You might as well have landed on a dead planet with no atmosphere. There is nowhere to go. Nowhere. The soul stinks like a stone.”

Tillich added: “Although, in daily life, we do not always distinguish these words, we should do so consistently and thus deepen our understanding of the human predicament.”

ERROR ALERT: The beginning of the Tillich quotation is almost always wrongly presented as if it began the two sides, not these two sides.

QUOTE NOTE: A later, revised edition of the play had the title character saying: “When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”

Walsh continued: “One might weep if no one saw.”

LONGING

(see also APPETITE and CRAVING and DESIRE and FULFILLMENT and WANTING and YEARNING)

Lesser continued: “Its source rests in the well of our own hearts. When we slow down, quiet the mind, and allow ourselves to feel hungry for something that we do not understand, we are dipping into the abundant well of longing.”

LOS ANGELES

(see also BOSTON and CHICAGO and HOLLYWOOD and LAS VEGAS and LONDON and MIAMI and NEW ORLEANS and NEW YORK CITY and PARIS and SAN FRANCISCO and WASHINGTON, DC)

(see also AMERICAN CITIES)

McGee continued: “I spoke the language. I was familiar with the currency. I could drink the water. I could almost breathe the air, late April air, compounded of interesting hydrocarbons.”

Mailed continued: “As one travels through the endless repetitions of that city which is the capital of suburbia with its milky pinks, its washed-out oranges, its tainted lime-yellows of pastel on one pretty little architectural monstrosity after another, the colors not intense enough, the styles never pure, and never sufficiently impure to collide on the eye, one conceives the people who live here—they have come out to express themselves.”

Mailer continued: “One knows that if the cities of the world were destroyed by a new war, the architecture of the rebuilding would create a landscape which looked, subject to specifications of climate, exactly and entirely like the San Fernando Valley.”

Mailer introduced the thought by writing: “Los Angeles is the home of self-expression, but the artists are middle-class and middling-minded.”

QUOTE NOTE: A similar saying (“Seventy-two suburbs in search of a city”) has been attributed to Dorothy Parker, but it has never been found in her writings.

Radner went on to add: “Even the plumber has a screenplay in his truck.”

QUOTE NOTE: Nearly forty years earlier, mystery writer John D. MacDonald also referred to L.A. as a third-world country (see his observation above).

In the book, she also wrote: “We live in Los Angeles, where you are expected to move every two to four years, so people can see how well your career is going.”

Stratton-Porter continued: “This is the element that my life has always been deprived of previously. Next to the sunshine, I appreciate it the most of anything in California.”

LOSING

(see also DEFEAT and FAILURE and GAIN and LOSS and SUCCESS and SUCCESS & FAILURE and VICTORY and WINNING and WINNING & LOSING)

Angell continued: “But in baseball the monster seems to hang closer than in other sports, its chilly claws and foul breath palpable around the neck hairs of the infielder bending for his crosshand scoop or the reliever slipping his first two fingers off-center on the ball seams before delivering his two-and-two cut fastball.”

QUOTE NOTE: Brett was piggybacking on an observation commonly attributed to Michigan State football coach Duffy Daugherty, but originally offered by the U. S. Naval Academy football coach Eddie Erdelatz (see his entry in TIE)

On the same subject, Conroy went on to write: “Losing prepares you for the heartbreak, setback, and the tragedy that you will encounter in the world more than winning ever can. By licking your wounds you learn how to avoid getting wounded the next time.”

LOSING OUR WAY

(includes [Being] LOST; see also FINDING OURSELVES and IDENTITY)

Atwood continued: “ Literature is not only a mirror; it is a map, a geography of the mind.”

QUOTE NOTE: The Divine Comedy is one of literary history’s greatest narrative poems. The opening lines capture Dante’s journey through the dark forest of error and sin, which ultimately leads him to the gates of Hell. The opening words have been translated in a number of different ways. The version above comes from the American poet Henry Wadsworth Longfellow, who published a complete three-volume translation of the entire poem in 1867. Here is another popular translation: “When I had journeyed half of our life’s way,/I found myself within a shadowed forest,/For I had lost the path that does not stray.”

The Dalai Lama continued: “If you go along in an easy way, with everything okay, you feel everything is just fine. Then one day when you encounter problems, you feel depressed and hopeless. Through a difficult period you can learn, you can develop inner strength, determination, and courage to face the problem.”

L’Engle continued: “It stops us from taking anything for granted. It has also taught me a lot about living in the immediate moment. I am somehow managing to live one day, one hour at a time.”

QUOTE NOTE: On March 1, 1932, the 20-month-old son of legendary aviator Charles Lindbergh and his wife Anne Morrow Lindbergh was kidnapped from the Lindbergh’s New Jersey home. A little over two months later, his dead body was discovered in a shallow grave a short distance from where he had been abducted. This diary entry from the prior year seems almost prescient, and in Mrs. Lindbergh’s slow and painful recovery over the subsequent years, she said she recalled her own words many times.

May continued, “And we grasp more fiercely at research, statistics, and technical aids when we have lost the values and meaning of love.”

Sheehy preceded the thought by writing: “Children may need challenges and high-risk conditions in order to develop the self-generated immunity to trauma that characterizes survivors.”

QUOTE NOTE: This is the way the quotation is often presented, but here’s the full original thought: “Not till we are lost, in other words, not till we have lost the world, do we begin to find ourselves, and realize where we are and the infinite extent of our relations.”

Just prior to this passage, Thoreau wrote that a magazine article about Australian gold miners got him to do some serious soul-searching: “I was thinking of my own unsatisfactory life, doing as others do without any fixed star habitually in my eye, my foot not planted in any blessed isle. Then, with that vision of the diggings before me, I asked myself why I might not…sink a shaft down to the gold within me and work that mine.”

QUOTE NOTE: This has become one of Tolkien’s most popular quotations. It first appeared in an aphorism-laden piece of verse that the character Bilbo used to describe Aragorn: “All that is gold does not glitter;/Not all those who wander are lost;The old that is strong does not wither,/Deep roots are not reached by frost,/From the ashes a fire shall be woken,/A light from the shadows shall spring; /Renewed shall be blade that was broken:/The Crownless again shall be king.”

LOSERS & WINNERS

(see also DEFEAT and FAILURE and SUCCESS and VICTORY and LOSS [as in DEFEAT] and WINNERS & LOSERS)

LOSS

(see also ADVERSITY and DEATH & DYING and DEFEAT and FAILURE and FRIENDSHIP and [LOSS OF] LOVE and PROFIT and PROFIT & LOSS)

On the same subject, Conroy went on to write: “Losing prepares you for the heartbreak, setback, and the tragedy that you will encounter in the world more than winning ever can. By licking your wounds you learn how to avoid getting wounded the next time.”

Quarles explained: “If thou hast lost thy wealth, thou has lost some trouble with it; if thou art degraded from thy honor, thou art likewise freed from the stroke of envy; if sickness hath blurred thy beauty, it hath delivered thee from pride: set the allowances against the loss, and thou shalt find no loss great.”

QUOTE NOTE: This novel has also appeared in English under the title The Haunted Pool, which seems like a bit of a stretch from the original French title: La Mare Au Diable.

Tagore continued: “The leaves make a noise when the wind is blowing and the flower makes none.”

Viorst continued: “And our losses include not only our separations and departures from those we love, but our conscious and unconscious losses of romantic dreams, impossible expectations, illusions of freedom and power, illusions of safety—and the loss of our own younger self, the self that thought it would always be unwrinkled and invulnerable and immortal.”

QUOTE NOTE: This now-classic line from the film came in a breakthrough moment between Maquire, a wise but unorthodox counselor, and his brilliant but fragilely-defended client, Will Hunting (played by Ben Affleck). It’s an exceptionally well-phrased line, and one containing so much wisdom that it’s hard to believe it was penned by a couple of virtually unknown twenty-something screenwriters. Good Will Hunting went on to great critical and commercial success, nominated for nine Academy Awards and winning two (Best Original Screenplay and Best Supporting Actor for Williams). When the two screenwriters accepted their awards at the 1998 Academy Award Ceremonies, the 25-year old Affleck became the youngest winner in history (with Damon not far behind, at age 27).

(Being) LOST

(see LOSING OUR WAY)

LOTTERY & LOTTERY METAPHORS

(see also CHANCE and GAMBLING)

(see also metaphors involving ANIMALS, BASEBALL, BATHING & BATHS, BIRTH, BOXING & PRIZEFIGHTING, CANCER, DANCING, DARKNESS, DEATH, DISEASE, FOOTBALL, FRUIT, GARDENING, HEART, JOURNEYS, LIGHT & LIGHTNESS, MOTHERS, NAUTICAL, PARTS OF SPEECH, PATHS, PLANTS, PUNCTUATION, RETAIL/WHOLESALE, ROAD, SAILING & NAUTICAL, SUN & MOONS, VEGETABLES, and WEIGHTS & MEASURES)

LOUSIANA

(see UNITED STATES OF AMERICA—SPECIFIC STATES)

LOVE

(see also AFFECTION and EMOTION and HATE and LOVE—PLATONIC and LOVE—UNREQUITED and LOVE AT FIRST SIGHT and LOVE & FRIENDSHIP and LOVE & HATE and LOVE & SEX and LOVERS and MARRIAGE and ROMANCE & ROMANTICS and SEX)

ERROR ALERT: Most internet sites present an abridged version of the thought: “Love without conversation is impossible.”

Adler continued: “Each of us is alone. Each of us is quite lonely. Without the communication of love, without the conversations, the heart-to-heart talks, which are love’s way of achieving union, each of us would be as isolated, as shut out from one another as animals are, even when they are herding together physically, most closely. Only the communion of love produced by the conversations of lovers overcomes our human aloneness or loneliness.”

QUOTE NOTE: Beginning in 1998 and continuing for six years, Esquire staffers interviewed actors, sports stars, captains of industry, and other celebrities. Unlike Playboy interviews, which provided something close to detailed transcripts, the material offered by Esquire interviewees was capsulized and provided in bullet-point form in a feature titled “What I’ve Learned.” While the Ali piece contains many sayings clearly borrowed from other sources, it does offer a glimpse into the aging boxer’s mind. To see the full piece, go to: Ali Esquire Article.

QUOTE NOTE: A common alternate translation is: “There is love of course. And then there’s life, its enemy.”

QUOTE NOTE: This is such a beautiful saying that it often appears in wedding ceremonies, anniversary celebrations, and other romantic occasions. It was not originally written as an aphorism, however, but as part of a longer passage. The Countess, speaking to a character who has offered some clever but cynical thoughts about romantic relationships, says: “In your efforts to dazzle us your reasoning has gone awry. You know very well that love is, above all, the gift of oneself.”

Risley continued: “It’s like the tide going out, revealing whatever’s been thrown away and sunk: broken bottles, old old gloves, rusting pop cans, nibbled fishbodies, bones. This is not the kind of thing you see if you sit in the darkness with open eyes, not knowing the future. The ruin you’ve made.”

Auden introduced this portion of the poem by writing: “What the mad Nijinsky wrote/About Diaghilev/Is true of the normal heart.”

QUOTE NOTE: The book, yet another in Balzac’s monumental collection of novels that became known as The Human Comedy, was published in English under the titles The Magic Skin or The Wild Ass’s Skin.

QUOTE NOTE: This was the conclusion to a line of thinking that began this way: “If it is your time, love will track you down like a cruise missile. If you say, “No! I don’t want it right now,” that’s when you’ll get it for sure. Love will make a way out of no way.”

ERROR ALERT: This is how the quotation originally appeared, but it commonly appears as if it began: “Love cannot endure indifference….”

QUOTE NOTE: This quotation is typically viewed as a celebration of romantic love, but Beecher was originally talking about the love of others that stems from a love of God (commonly called agape in theological circles). About people who have this kind of love in their hearts, he said: “Loving God, they know what the whole world-life is worth. After all, love is the wine of existence. When you have taken that, you have taken the most precious drop that there is in the cluster.”

QUOTE NOTE: Almost all quotation collections present only this portion of the poem, depriving readers of a spectacular conclusion. And while it is clear that Bridges was reflecting on a problematical relationship in these opening lines, even the most jaded reader couldn’t know where he was going with the poem. He continued: “When first we met we did not guess./Who could foretell this sore distress,/This irretrievable disaster.”

Brookner continued: “So the chance of two non-strategists ever meeting is slight, and even if they do meet they may be deflected by the strategists.”

QUOTE NOTE: Similar versions of the love is like measles simile were later made by Josh Billings, Jerome K. Jerome, and Douglas Jerrold, but Byron was the first to make the connection.

The narrator preceded the thought by writing: “In real life, after a certain age, ambitious men love indeed; but it is only as an interlude. And indeed with most men, life has more absorbing though not more frequent concerns than those of love.”

Chillingly added: “It may be slow and gradual; it may be quick and sudden. But in the morning, when we wake and recognize a change in the world without, verdure on the trees, blossoms on the sward, warmth in the sunshine, music in the air, then we say Spring has come!”

ERROR ALERT: This quotation is often mistakenly presented with bind so fast instead of hold so fast.

QUOTE NOTE: This is the way the observation is usually presented, but Maurois indicates that it was originally the concluding portion of this larger observation: “It is only when we are united with our brothers in a common goal, which is outside of ourselves, that we can breathe. And the experience shows us that to love is not to look at one another but to look together in the same direction.”

QUOTATION CAUTION: This quotation has not been found in Casanova’s works, and it’s possible Reik was paraphrasing the legendary lover. Reik offered the Casanova thought twice in his book, first writing “Did not Casanova once say that love is three-quarters curiosity?” And a little later: “I assume that Casanova’s remark that love is three-quarters curiosity refers to man’s eagerness to know his object in the sexual situation.”

Chagall preceded the observation by writing: “Despite all the troubles of the world in my heart I have never given up on the love in which I was brought up or on man’s hope in love.” In Chagall (1998), Jacob Baal-Teshuva wrote: “This conviction was Chagall's lifelong credo”

Mrs. Welman preceded the thought by saying: “To care passionately for another human creature brings always more sorrow than joy; but all the same…one would not be without that experience.”

Christie was writing about her daughter Rosalind, whose husband had recently been killed in WWII. She continued: “You can do things to aid people’s physical disabilities; but you can do little to help the pain of the heart.”

QUOTE NOTE: The words come from Dr. Iannis, a Greek physician who is concerned that his beautiful daughter Pelagia is falling in love with a handsome young Italian officer, Antonio Corelli, who they have been forced to billet after Italian troops have overtaken their small Greek island of Cephalonia in the early years of WWII. After ticking off some of the “symptoms” he has observed in the young lovers, Dr. Iannis offers a beautiful description of the nature of love. I was captivated when I first read it, and I believe you will enjoy it as well (it starts right after he says “And another thing”): Dr. Iannis’s extended “love” metaphor.

QUOTE NOTE: This is a wonderful observation in its own right, but it was originally the concluding portion of the narrator’s description of what protagonist Rabih Khan needs to learn about intimacy skills: “For his relationships to work, he will need to give up on the feelings that got him into them in the first place. He will need to learn that love is a skill rather than an enthusiasm.”

QUOTE NOTE: I’ve also seen translations in which the observation begins love never dies of desire and love never dies of want. According to my trusty French to English translator, the original words (L’amour ne meurt jamais de besoin mais souvent d’indigestion) may be expressed as: “Love never dies from need but often from indigestion.” All of the translations, then, seem to get at the heart of Madame de L’Enclos’s meaning—people don’t die from a lack of love or a desire for love, but from problems digesting the love they have received. Many thanks to Garson O’Toole, the Quote Investigator, for his assistance in researching this quotation.

QUOTE NOTE: Only the most discerning readers with recognize the clever wordplay in this observation, with the final portion of the remark playing off the name of Richard von Krafft-Ebing (1840-1902), the German psychiatrist who did pioneering research in the field of human sexual behavior.

QUOTE NOTE: The remark comes as Branson and Lady Mary are watching Henry Talbot test-drive a racing car around a track. In previous episodes, Talbot has indicated a clear romantic interest in Lady Mary, but she is hesitant because she exceeds him in wealth and status. Years earlier, Branson was a Downton Abbey chauffeur when he won the heart of Lady Sybil, Mary’s sister. He challenges the wisdom of Lady Mary’s class-based thinking and urges her to follow her heart. His full remark was as follows: “There’s no such thing as slow motor racing. And there’s no such thing as safe love. Real love means giving someone the power to hurt you.”

Speaking to the character Vermilia, Lady Matchless goes on to add: “Love is not so dangerous to our sex as you imagine. It is a warfare wherein we always get the better, if we manage prudently; men are perfectly empty bullies in it; and, as a certain poet says—“Swift to attack, and swift to run away.’”

Finck added: “To walk along the beach in a stiff breeze, and have her veil accidentally flutter in his face, is a romantic incident on which a youthful lover’s memory feasts for a month.”

QUOTE NOTE: “Make Love Stay” is a beautiful song, and it captured much of what I was trying to understand in my own life around the time it was released. For a stunning live performance of the song, done ten years after it was first released, go here. In introducing the song, Fogelberg revealed something new about its inspiration:

“‘Make Love Stay’ was based on the book written by Tom Robbins called Still Life with Woodpecker.  It was wonderful.  His precept was the most difficult concept that man in the late 20th century has to really wrestle with is how to make love stay.  I love that idea.  I thought that was a great philosophical moment, so I wrote some music, basically, to his ideas.”

Before becoming famous for The Simpsons, Groening was an underground comic strip artist in Los Angeles. In the late 1970s, he began drawing “Life is Hell,” a weekly cartoon strip that reflected his darkly comic view of the universe. Originally sold out of his car and then published in several alternative West Coast publications, Life is Hell became an underground bestseller shortly after it was published in book form in 1984.

ERROR ALERT: This observation is often mistakenly presented as “Love is perhaps the only glimpse we are permitted of eternity.”

A bit later, Jubal went on to contrast love and jealousy: “Jealousy is a disease, love is a healthy condition. The immature mind often mistakes one for the other, or assumes that the greater the love, the greater the jealousy—in fact, they’re almost incompatible; one emotion hardly leaves room for the other. Both at once can produce unbearable turmoil.”

QUOTE NOTE: This is one of Hemingway’s most famous observations, a somber reminder about the ultimate fate of even the most blissful love affairs. He introduced the thought by writing: “Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you. Especially do all stories of monogamy end in death, and your man who is monogamous while he often lives most happily, dies in the most lonely fashion. There is no lonelier man in death, except the suicide, than that man who has lived many years with a good wife and then outlived her.”

Nora continued: “Not the kind that forces two people into shapes they don’t fit in, but the kind that loosens their grips, always leaves room to grow. Compromises that say, there will be a you-shaped space in my heart, and if your shape changes, I will adapt. No matter where we go, our love will stretch out to hold us, and that makes me feel like…like everything will be okay.”

The narrator continued: “It is the two sexes tending to approach each other, and each assuming the other’s qualities.”

ERROR ALERT: This is the way the quotation typically appears, but it’s not the way it was originally written. Here’s how Hurston originally expressed the sentiment in Their Eyes Were Watching God (1937): “Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.”

Huxley continued: “The last, and for those whose good fortune it is to have some one person to care for, or who have learned the infinitely difficult art of loving all their neighbors, the best.”

Jacoby continued: “Your ardor for someone isn’t proof of love, though that can be an element of it. You may go to great lengths to be with her, you may burn for her, be dazzled by her, want her all to yourself forever and always. That doesn’t mean you love her. But if you can’t be happy unless she is, if only her joy makes you truly joyful—ah, that’s love.”

The quotation has also been translated this way: “Love is a sport in which the hunter must contrive to have the quarry in pursuit.”

QUOTE NOTE: This observation came in a discussion of the powerful ways in which metaphor can shape human conduct. The behavior of people who guide their lives by this metaphor, the authors suggest, will be starkly different from those who favor a different metaphor, such as love is madness.

Lawrence began by writing: “They say it is better to travel than to arrive. It’s not been my experience, at least.”

AUTHOR NOTE: For a fascinating portrait of one of the most popular comedians of her era, see the 1962 Ebony article.

QUOTE NOTE: This is one of the most quoted of all passages from Macaulay’s works. Gresham continued: “Unfortunately also it recurs. One must try hard not to take it too seriously. Plenty of things matter a great deal more. Most things, in fact.”

Hubbard continued: “One could find it only after one’s virtue, or one’s courage, or self-sacrifice, or generosity, or loss, has succeeded in stirring the power of creation.”

Maugham continued: “Mostly, different ourselves, we make a desperate, pathetic effort to love in a different person the person we once loved. It is only because the power of love when it seizes us seems so mighty that we persuade ourselves that it will last forever.”

Nin added: “It makes others feel as you might when a drowning man holds on to you. You want to save him, but you know he will strangle you with his panic.”

Nhất Hạnh beautiful meditation on love also contained these other memorable thoughts:

“Understanding is love’s other name. If you don’t understand, you can’t love.”

“If our parents didn’t love and understand each other, how are we to know what love looks like?”

“Often, when we say, ‘I love you’ we focus mostly on the idea of the ‘I’ who is doing the loving and less on the quality of the love that’s being offered.”

QUOTE NOTE: In a 1939 issue of Reader’s Digest, this passage was presented in the following way: “Love is like quicksilver in the hand. Leave the fingers open and it stays in the palm; clutch it and it darts away.” Ever since, this 1939 abridged version is the one that generally appears in published quotation anthologies and on internet sites.

QUOTE NOTE: This is the way the quotation is typically presented, but it was originally part of a larger metaphorical observation about the operation of life: “Why does a man who is truly in love insist that this relationship must continue and be ‘lifelong’? Because life is pain and the enjoyment of love is an anesthetic. Who would want to wake up halfway through an operation?”

QUOTE NOTE: A little later, Lamar offered a sad counterpoint: “There is no pain on this earth like seeing the same woman look at another man the way she once looked at you.”

QUOTE NOTE: The Book of Disquiet, published 47 years after Pessoa’s death in 1935, was presented to the world as the autobiography of one of Pessoa’s heteronyms, an unmarried Portuguese bookkeeper named Bernardo Soares. The book was pieced together from thousands of pages of Pessoa’s diary entries, personal and philosophical ramblings, autobiographical vignettes, poems, and other literary fragments. For more on Pessoa, see this review of a new translation of The Book of Disquiet in The Guardian (June 21, 2001).

QUOTE NOTE: This is how the observation was introduced to an American audience in 1964. Today, almost all internet sites and scores of quotations anthologies omit the love kills intelligence portion and present a more succinct version of the thought: “Love is like an hourglass, with the heart filling up as the brain empties.”

QUOTE NOTE: By directly contradicting one of history’s most famous sayings, Repplier immediately gets our attention and dramatically increases the likelihood of our reading on. She continued:

“It is a cultivated taste, alien to the natural man, and unknown to childhood. But all the world does love a sinner, either because he is convertible to a saint, or because a taste for law-breaking is an inheritance from our first parents, who broke the one and only law imposed upon them.”

A bit later in the letter, Rilke also wrote: “Young people, who are beginners in everything, cannot yet know love: they have to learn it.”

Rilke continued: “But if we nevertheless hold out and take this love upon us as burden and apprenticeship, instead of losing ourselves in all the light and frivolous play, behind which people have hidden from the most earnest earnestness of their existence—then a little progress and alleviation will perhaps be perceptible to those who come long after us; that would be much.

QUOTE NOTE: In the novel, Jelly is cautioning her friend Sissy, who has suggested that her love for her boyfriend will have a therapeutic effect. When Sissy looks puzzled, Jelly continues: “I mean, love is something to be passed around freely, not spooned down someone’s throat for their own good by a Jewish grandmother who cooked it all by herself.”

Bernard, an outlaw bomber, writes this in a note to his girl friend, Leigh-Cheri, an environmentalist princess (he is in jail at the time, so the note is delivered by his attorney). He continues: “Instead of vowing to honor and obey, maybe we should swear to aid and abet.”

ERROR ALERT: This is a spurious quotation, even though it appears in exactly this way in numerous anthologies (including, sadly, in my own I Never Metaphor I Didn’t Like book). I have since discovered that it is an abridged and cleaned-up version of a passage from Shepard’s play A Lie of the Mind (1985). Speaking about a failed love affair, the character Lorraine says: “Love. Whata crock a’ shit. Love! There’s another disease. Only difference is it’s a disease that makes ya feel good. While it lasts. Then, when it’s gone, yer worse off than before you caught it.”

QUOTE NOTE: These were the concluding words of Snow’s touching tribute to his sister-in-law, Carolyn, who had recently died after spending her last years in an advanced stage of Alzheimer’s disease. During a regular Sunday visit, Snow leaned over and asked, “Do you love me?” Not expecting much of an answer, Snow was overwhelmed when he heard a faint “yes” come from her lips. It was the only word she spoke that day, and the last thing Snow heard from her before her death. To see the full column, go to “When Love is the Last Emotion to Leave” .

QUOTE NOTE: A year earlier, the 33-year-old Steele met Mary Scurlock at his first wife's funeral. He felt an immediate and powerful connection to her, and began to pour out his heart in more than 400 letters to her over the next year (they ultimately married in 1707). This letter captures one of the most interesting dynamics of the love experience—when we’re in the throes of love, thoughts of our beloved dominate every single aspect of our life.

QUOTE NOTE: This is the portion of the poem that is almost always featured in quotation anthologies. Tennysson preceded it with a beautiful stand-alone line: “Love lieth deep; Love dwells not in lip-depths.”

A bit earlier in the letter, Thoreau offered a sobering observation on the often critical and unforgiving nature of love: “Love is a severe critic. Hate can pardon more than love. Those who aspire to love worthily, subject themselves to an ordeal more rigid than any other.” It’s a remarkable letter in many ways, and may be viewed at: Thoreau on Love.

QUOTATION CAUTION: This is one of Tillich’s most famous lines, but I’ve not been able to locate an original source (he was first quoted as making the remark in a 1964 article in The Episcopalian). The observation certainly sounds authentic, though, and is consistent with other things Tillich had to say on love and listening. In “Personal Relations,” an essay in the book Love, Power, and Justice (1954), he wrote: “In order to know what is just in a person-to-person encounter, love listens. It is its first task to listen. No human relation, especially no intimate one, is possible without mutual listening.”

QUOTE NOTE: Many thanks to Garson O’Toole, aka The Quote Investigator, for his help in researching this quotation (see his entry here).

Wesley preceded the observation by warning: “Beware you be not swallowed up in books!”

QUOTE NOTE: The allusion here is to one of life’s saddest realities—the death of someone we dearly love well before our own departure from this mortal coil. Hemingway memorably captured this same tragic reality when he offered his famous “no happy end” thought in Death in the Afternoon (to be seen above)

In his thought process, Fosworth continued: “You can’t use up love, deplete it at its source. Love exists beyond fixed limits. Beyond what you can see or count. It isn’t something measurable, something you can say okay, this is love from here to here.”

Wilder preceded the thought by writing: “We ourselves shall be loved for a while and forgotten. But the love will have been enough; all those impulses of love return to the love that made them. Even memory is not necessary for love.”

QUOTE NOTE: Most people of a certain age will recall the lyric from Linda Ronstadt’s mega-hit version of the song. The familiar refrain continues: “A handful of thorns and you’ll know you’ve missed it. You lose your love when you say the word ‘mine’.”

[First] LOVE

(see also AFFECTION and EMOTION and INFATUATION and LOVE and [Unrequited] LOVE and [Platonic] LOVE and LOVE AT FIRST SIGHT and LOVE & FRIENDSHIP and LOVE & HATE and LOVE & SEX and LOVERS)

QUOTE NOTE: To hear Auden recite the poem, go to Auden “One Evening” Poem.

ERROR ALERT: This observation is often mistakenly presented as if it were phrased this way: “The magic of first love is our ignorance that it can never end.”

This passage has also been translated this way: “But we return always/To the loves of yesterday.”

QUOTE NOTE: Matthau was talking about her first love, William Saroyan, and man she married in 1943, divorced in 1949, remarried in 1951, and divorced him for a second time in 1952.

Miller preceded the observation by writing: “First loves are famously tenacious. A first love teaches you how to be with another human being by choice, rather than out of the imperative of blood ties. If we are lucky, our first love shows us how to negotiate the paradox of entering into a union with someone who remains fundamentally unknowable.”

This observation came in response to the question, “Can you talk about your first love?” Swift preceded the thought above by saying: “It’s so hard because I’ve considered three different people (as my first love). I dated a guy in high school for a while and I think that was, in a way, first love-ish. But then there’s the first time that you love someone more than you’ve ever loved anything, ever. That’s a different thing. Then there’s the time after that where you feel like you’ve loved a man more than anyone you ever loved in your life and that must be your first love because that must be the only time you’ve ever felt that kind of love.”

[Unrequited] LOVE

(see also AFFECTION and EMOTION and LOVE and [First] LOVE and [Platonic] LOVE and LOVE AT FIRST SIGHT and LOVE & FRIENDSHIP and LOVE & HATE and LOVE & SEX and LOVERS and MARRIAGE and ROMANCE & ROMANTICS)

ERROR ALERT: This quotation was first attributed—without source information—to Irving in an 1883 book (Angie Manly Stewart’s Hit and Miss: A Story of Real Life). The saying has not been found in any of Irving’s works, however, and is considered by scholars to be spurious. Sadly, almost all popular internet sites continue to perpetuate the error.

QUOTE NOTE: Popova’s beautiful observation was inspired by the distraught emotional state of Emily Dickinson when she discovered that her intense feelings for love interest Susan Gilbert were not being reciprocated.

[Platonic]LOVE

(see also AFFECTION and EMOTION and LOVE and [Unrequited] LOVE and LOVE AT FIRST SIGHT and LOVE & FRIENDSHIP and LOVE & HATE and LOVE & SEX and LOVERS and MARRIAGE and ROMANCE & ROMANTICS)

QUOTE NOTE: This is regarded as the origin of the term Platonic Love for a type of love that is full and deep, but without a romantic or sexual component.

LOVE & FRIENDSHIP

(see also AFFECTION and EMOTION and HATE and LOVE and LOVE—PLATONIC and LOVE—UNREQUITED and LOVE AT FIRST SIGHT and LOVE & HATE and LOVERS and MARRIAGE and ROMANCE & ROMANTICS and SEX)

Landers, who was picking up on the familar American proverb about friendship set on fire (see below) added: “Love is content with the present, it hopes for the future, and it doesn’t brood over the past. It’s the day-in and day-out chronicle of irritations, problems, compromises, small disappointments, big victories and working toward common goals. If you have love in your life it can make up for a great many things you lack. If you don’t have it, no matter what else there is, it’s not enough.”

ERROR ALERT: All over the internet, “Love is friendship set on fire” is attributed to the English clergyman Jeremy Taylor (1613–1667). Even though Taylor’s eloquence earned him the sobriquet “The Shakespeare of Divines,” there is no evidence he ever wrote anything like this.

LOVE & HATE

(see also AFFECTION and ANIMOSITY and EMOTION and HATE and LOVE and LOVE—PLATONIC and LOVE—UNREQUITED and LOVE AT FIRST SIGHT and LOVE & HATE and LOVE & SEX and LOVERS and MARRIAGE and RAGE and ROMANCE & ROMANTICS and SEX)

QUOTE NOTE: This observation comes as narrator and protagonist Nickel Smith is reflecting on her life, and especially on her relationship with Regina Frost, who does not fit the pattern described in the foregoing quotation. Here’s the full passage, which is quite lovely: “Regina showed me myself. It wasn’t so much that she showed me my failures, only that she showed me who I was. If I wanted to change something, that was up to me. So often the truth is told with hate, and lies are told with love. She told me the truth with love, more love than I felt I deserved at the moment.”

Buechner continued: “As lovers thrive on the presence of the beloved, haters revel in encounters with the one they hate. They confirm him in all his darkest suspicions. They add fuel to all his most burning animosities. The anticipation of them makes the hating heart pound. The memory of them can be as sweet as young love.”

The passage comes near the end of the book, with the narrator adding: “Philosophically considered, therefore, the two passions seem essentially the same, except that one happens to be seen in a celestial radiance, and the other in a dusky and lurid glow.”

QUOTE NOTE: This is how the quotation typically appears on most internet sites. The full passage from the 1952 book is as follows: “Where hatreds exist in any persons within any society we may be sure that they, too, are due to the involvement with love, for hatred is love frustrated.”

Porter preceded the thought by writing: “If we say I love you, it may be received with doubt, for there are times when it is hard to believe. Say I hate you, and the one spoken to believes it instantly, once for all.”

QUOTE NOTE: This is the way the quotation appears in most anthologies, but it was originally part of the closing words of the poem: “I detect/More good than evil in humanity./Love lights more fires than hate extinguishes,/And men grow better as the world grows old.”

LOVE & MARRIAGE

(see also AFFECTION and EMOTION and LOVE and LOVE—PLATONIC and LOVE—UNREQUITED and LOVE AT FIRST SIGHT and LOVE & FRIENDSHIP and LOVE & HATE and LOVE & SEX and LOVERS and MARRIAGE)

LOVE & SEX

(see also AFFECTION and EMOTION and LOVE and LOVE—PLATONIC and LOVE—UNREQUITED and LOVE AT FIRST SIGHT and LOVE & FRIENDSHIP and LOVE & HATE and LOVE & MARRIAGE and LOVERS and MARRIAGE)

See how this chiastic theme is also explored below in the Buchanan and Shain entries.

See how this chiastic theme is also explored in the Alther and Shain entries.

See how this chiastic theme is also explored above in the Alther and Buchanan entries.

LOVELINESS

(see also BEAUTY and PRETTINESS and UGLINESS)

LOVERS

(see also LOVE and MALE-FEMALE DUNAMICS and MARRIAGE and ROMANCE & ROMANTICS and SEX)

QUOTE NOTE: This observation has been translated in a variety of similar ways over the years, including this slightly more liberal translation: “It is easier to be a lover than a husband, for the same reason that it is more difficult to show a ready wit all day than to produce an occasional bon mot.”

LOYALTY

(includes FIDELITY; see also BETRAYAL and FAITHFULNESS and LEADERS & LEADERSHIP and PATRIOTISM and POLITICS and TRUST and VIRTUE)

QUOTE NOTE: The one individual man Adams was referring to, of course, was the English monarch. Loyalty to the king, Adams wrote, had led millions into “dependence and submission.” He continued with a passage that rings as true today as when it was originally written:

“The true object of loyalty is a good legal constitution, which, as it condemns every instance of oppression and lawless power, derives a certain remedy to the sufferer by allowing him to remonstrate his grievances, and pointing out methods of relief when the gentle arts of persuasion have lost their efficacy. Whoever, therefore, insinuates notions of government contrary to the constitution, or in any degree winks at any measures to suppress or even to weaken it, is not a loyal man.”

QUOTE NOTE: Not all dog-lovers agree with Day’s assessment. Helen Hayes, in her 1968 autobiography On Reflection, wrote: “When I hear tell of the character and the loyalty and devotion of dogs, I remain unmoved. All of my dogs have been scamps and thieves and troublemakers and I’ve adored them all.”

Dempsey, a U.S. Army General who became the 18th Chairman of the Joint Chiefs of Staff, continued: “Who among us can forget being asked by our chiding parents, ‘If your friend told you to jump off a bridge, would you do it?’ Every day we see misplaced loyalty contributing to problems such as bullying, hazing, sexual harassment, discrimination, and corruption. To be sure, it can be difficult to say no to someone in a position of power who is using loyalty as leverage, especially when that person makes it clear that they expect total and unconditional loyalty. But that’s where loyalty must meet moral courage, if we are to act honorably and do what’s right.”

Hart continued: “But the word is much abused, for ‘loyalty’ analyzed, is too often a polite word for what would be more accurately described as a ‘conspiracy for mutual inefficiency.’ In this sense, it is essentially selfish—like a servile loyalty, demeaning to both master and servant. They are in false relationship to each other, and the loyalty which is then so much prized can be traced, if we probe deep enough, to an ultimate selfishness on either side.”

QUOTE NOTE: Hemingway was referring to Pound’s inability—or perhaps his unwillingness—to criticize the artistic creations of people he regarded as friends. Hemingway added: “We never argued about these things because I kept my mouth shut about things I did not like. If a man liked his friends’ painting or writing, I thought it was probably like those people who like their families, and it was not polite to criticize them.”

“The Indictment against Christianity” (1917), in Outspoken Essays (1919)

QUOTE NOTE: When a White House staffer informed LBJ about a new hire, the president asked, “How loyal is that man?” When his aide replied, “Well, he seems quIte loyal,” LBJ replied as above.

QUOTE NOTE: This broadcast, formally titled “Report on Sen. Joseph R. McCarthy,” was the first domino to fall in the eventual toppling of the right-wing demagogue. In The Oxford Dictionary of American Quotations (2006), Hugh Rawson and Margaret Miner wrote: “This was the first major assault on McCarthyism. Even the popular and influential Murrow felt that he had to bide his time until McCarthy’s excesses began to worry the American public.” Murrow’s broadcast seemed to embolden other Americans. Three months later, in the televised “Army-McCarthy” hearings, attorney Joseph Welch famously said to the Wisconsin senator: “Have you no sense of decency, sir, at long last? Have you no sense of decency?”

QUOTE NOTE: Schurz, the first German-American elected to the United States Senate (in 1868, from Missouri), offered this thought in response to the infamous Fugitive Slave Act of 1850, which mandated that escaped slaves captured in Northern free states were to be returned to their Southern masters. Schurz occupies a footnote in history by presciently writing in an 1864 letter: “I will make a prophecy that may now sound peculiar. In fifty years Lincoln’s name will be inscribed close to Washington’s on this Republic’s roll of honor.”

QUOTE NOTE: The idiom last gasp, meaning the final breath one takes before dying, owes its popularity to Shakespeare. The expression made an earlier appearance in King Henry VI, Part I (1592), where the character Joan La Pucelle (Shakespeare’s name for Joan of Arc) urges a follower: “Fight till the last gasp.”

Morgan continued: “The country is the real thing, the substantial thing, the eternal thing; it is the thing to watch over, and care for, and be loyal to; institutions are extraneous, they are its mere clothing, and clothing can wear out, become ragged, cease to be comfortable, cease to protect the body from winter, disease, and death. To be loyal to rags, to shout for rags, to worship rags, to die for rags—that is a loyalty of unreason.”

LUCK

(see also CHANCE and DESTINY and FATE and FORTUNE and [Bad] LUCK and [Good] LUCK and MISFORTUNE)

QUOTE NOTE: According to The Dictionary of Modern Proverbs (2012), this is the earliest appearance in print of a sentiment that evolved into the modern proverb “Luck is what happens when preparation meets opportunity.” The saying has been attributed to many people—including Darryl Royal, Oprah Winfrey—but all who have advanced the idea were borrowing from the 1912 saying above.

ERROR ALERT: This quotation has become quite popular, but it is not an accurate representation of Berlioz’s original thought. Writing about the German composer Giacomo Meyerbeer in Evenings with the Orchestra (1852), Berlioz wrote more precisely: “The author of The Prophet not only has the good luck to have talent, he has also the talent to have good luck” (the original French was: “L'auteur de ce Prophète a non seulement le bonheur d'avoir du talent, mais aussi le talent d'avoir du Bonheur”).

ERROR ALERT: Over the years, this quotation has been mistakenly attributed to Thomas Jefferson, Stephen Leacock, and many others. Even many respected quotation anthologies have botched this one, with some citing F. L. Emerson in a 1947 issue of Reader’s Digest. To see the original observation from Cox’s 1922 book, go to Listen to Me. For more on the history of the observation, see this 2012 post from The Quote Investigator, Garson O’Toole.

Darcourt continued: “I know that sounds horrible and cruel, considering what happens to a lot of people, and it can’t be the whole explanation. But it’s a considerable part of it.

QUOTE NOTE: Kroc was clearly inspired by a popular saying authored by Coleman Cox, but often mistakenly attributed to Thomas Jefferson, Stephen Leacock, and others (see the Cox entry above).

Hubbard continued: “One could find it only after one’s virtue, or one’s courage, or self-sacrifice, or generosity, or loss, has succeeded in stirring the power of creation.”

QUOTE NOTE: This went on to become a signature line for Rickey, who was one of the most influential executives in baseball history. In Branch Rickey’s Little Blue Book: Wit and Strategy from Baseball’s Last Wise Man (1995), editor John Monteleone reported that Rickey delivered a 1950 lecture using Luck is the Residue of Design as the title. In that lecture, Rickey said: “Things worthwhile generally just don’t happen. Luck is a fact, but should not be a factor. Good luck is whatever is left over after intelligence and effort have combined at their best.”

QUOTE NOTE: Several decades ago, it was common to see Royal described as the author of this saying, but the original idea first appeared in print an 1912 (see the Author Unknown entry above). Royal was one of America’s most successful college football coaches, most famously with the University of Texas (1957–76). In a coaching career that spanned twenty-two years, he won three national championships and never had a losing season.

A bit earlier, Schultz had written: “Life is a series of near misses. But a lot of what we ascribe to luck is not luck at all. It’s seizing the day and accepting responsibility for your future. It’s seeing what other people don’t see and pursuing that vision, no matter who tells you not to.”

Tharp introduced the thought by writing: “Some people resent the idea of luck. Accepting the role of chance in our lives suggests that our creations and triumphs are not entirely our own, and that in some way we’re undeserving of our success. I say, Get over it. This is how the world works.”

QUOTE NOTE: Winfrey was clearly inspired by a popular sentiment that first appeared in 1912 (see Author Unknown entry above).

LUPUS

(see DISEASE—SPECIFIC DISEASES

LUNACY & LUNATICS

(see also BLUNDERS and FOLLY and FOOLS & FOOLISHNESS and IDIOTS & IDIOCY and IGNORANCE and SELF-DECEPTION and STUPIDITY)

QUOTE NOTE: This is the first appearance of a phrase (“the lunatic fringe”) that has now become commonplace. While Roosevelt was thinking about crazies in the fringe elements of reform movements, his expression is now routinely used to describe fanatics and extremists who exist in all political undertakings.

Thanks to Garson O’Toole, aka The Quote Investigator, for not only tracking down the original source of this popular Shaw quotation, but also providing the backstory.

LUNCH

(includes LUNCHEON; see also APPETITE and BREAKFAST and COOKS & COOKING and DESCRIPTIONS—OF FOODS & PREPARED DISHES and DESSERT and DIETS & DIETING and DINING and DRINK and EATING and FOOD and HUNGER and MEALS and RESTAURANTS and SUPPER)

LUPUS

LUST

(see also DESIRE and EMOTION and EROS & EROTICISM and INTERCOURSE and KISSES & KISSING and LOVE and LUST & LOVE and MALE-FEMALE DYMANICS and ORGASM and PASSION and ROMANCE and SENSUALITY and SEX & SEXUALITY)

QUOTE NOTE: Lord Krishna, speaking to Prince Arjuna, adds: “For your own sake, Arjuna, give up these three.”

McDonnell went on to explain: “We are all searching for the hug of God, our ultimate true love. Sometimes we realize this. Usually we forget and fly to human hearts, and powerless human beds which cannot heal us. Perhaps that is the sin in lust, the forgetting of God’s own beauty and his own ability to comfort.”

LUST & LOVE

(see also DESIRE and EMOTION and EROS & EROTICISM and INTERCOURSE and KISSES & KISSING and LOVE and LUST and MALE-FEMALE DYMANICS and ORGASM and PASSION and ROMANCE and SENSUALITY and SEX & SEXUALITY)

QUOTE NOTE: This might be the first-ever tweaking of the famous Tennyson couplet. The proverb scholar Wolfgang Mieder once identified the earliest spin-off as coming from the mid-1980s, but Rice beats that by a long way. Notice also that the title of the book is a clever one-letter alteration of trial by jury.

LUXURY

(includes LUXURIOUS; see also EXCESS and EXTRAVAGANCE and HEDONISM and NECESSITY and OPULENCE and RICHES & THE RICH and SPLENDOR and WEALTH)

QUOTE NOTE: Frank Lloyd Wright is credited with a similar thought (see his entry below), but his came nearly three decades later. See also the John Motley entry below.

The narrator continued: “The word blasé has been coined expressly for the use of the upper classes.”

QUOTE NOTE: This appears to be the earliest expression of a sentiment that has gone on to be repeated in many ways (see the Colette entry above and Wright entry below).

QUOTE NOTE: In this observation, which is now the most popular version of the sentiment, Wright was almost certainly inspired by earlier quotations on the subject (see the Colette and Motley entries above)

LYING

(see LIES & LYING)

LYING TO ONESELF

(includes UNTRUTH; see also DECEPTION & DECEIPT and DISHONESTY and ERROR and FALSEHOOD and HONESTY and ILLUSIONS and LIES & LYING and MENDACITY and PERJURY and SELF-DECEPTION and TRUTH)

QUOTE NOTE: After continuing with a few more thoughts on the dangers of lying to oneself, Father Zosima concludes by saying:

“A man who lies to himself is often the first to take offense. It sometimes feels very good to take offense, doesn’t it? And surely he knows that no one has offended him, and that he himself has invented the offense and told lies just for the beauty of it, that he has exaggerated for the sake of effect, that he has picked on a word and made a mountain out of a pea—he knows all of that, and still he is the first to take offense, he likes feeling offended, it gives him great pleasure, and thus he reaches the point of real hostility.”

Feynman preceded the thought by writing, “Science is a way of trying not to fool yourself.”

QUOTE NOTE: Scum of the Earth, a memoir written after Koestler escaped from occupied France to England in 1940, was the first book Koestler wrote in English (his earlier works, including his 1940 classic Darkness at Noon were originally written in German). In this observation, he might have been inspired by the title of Sigmund Frued’s The Future of an Illusion (1927).

ERROR ALERT: Most internet sites and many published works mistakenly present the observation this way: “Nothing is more sad than the death of an illusion.”

Nathan continued: “The man of forty-five has just as many illusions as the boy of eighteen, but they are different illusions.”

LYNCHING

(see also CRIME & CRIMINALS and [Racial] DISCRIMINATION and HATRED and KU KLUX KLAN and [Racial] PREJUDICE and RACE and RACE RELATIONS and RACISM and SEGREGATION)

QUOTE NOTE: Strange fruit is one of history’s most powerful metaphors, tragically capturing the image of black men lynched from Southern trees by Ku Klux Klansmen and others. Allan, a Jewish schoolteacher and labor organizer in New York City, was inspired by a 1930 photograph he had seen of a Southern lynching. Shortly after Allan and his wife Laura Duncan set the poem to music, it was immortalized by Billie Holiday in a 1939 recording (see Holiday’s “Strange Fruit”). For more, go to Strange Fruit.